A Quote by Mary Steenburgen

'Step Brothers' is probably the film the most people who approach me want to talk about. — © Mary Steenburgen
'Step Brothers' is probably the film the most people who approach me want to talk about.
Older people say, 'Oh I loved you in 'Sense and Sensibility,' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
It's just something I've always loved to do: talk basketball. It's easy for me to give my perspective, my analyst approach to it, because even when I played, I would watch film, talk about the game.
Today, most big stars want scripts to be written in a particular way, show them in a certain light. They want people to like them for various reasons. It's all about how much people will like me in this film than about whether it's a good film or not.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
I don't want our white working class sisters and brothers to feel as though their pain is not important because it is. But at the same time, I want my white sisters and brothers to understand that when we talk about income and wealth inequality, that disproportionately African Americans suffer a little more.
Most people don't want to talk about politics and religion. They say, 'Let's talk about something else.'
We talk, as any brothers, or as most brothers do, particularly when you are involved in politics.
I talk a lot about strength, faith and love, but I don't ever talk about the fact that I am one of the most sensitive people in my family. That might be the most shocking, because you always see me fighting the good fight, with the strong face on, but I am the most emotional.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
For me, every book is a journey - questioning a really difficult topic that most people don't want to talk about, much less write about. And that's what I need; that works for me as a writer.
It is easier to talk about money -- and much easier to talk about sex -- than it is to talk about power. People who have it deny it; people who want it do not want to appear to hunger for it; and people who engage in its machinations do so secretly.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
No film is made without the people behind the lens. Of course, most people, even I, tend to look at films in the most simplistic way, and say, "Wow, so-and-so is in this film." We talk about who's in it, as opposed to who got it made. But there are financial and technical aspects which go along with it, that should be addressed and acknowledged, including those minorities who are doing excellent work as well.
In the street, people talk to you about all kinds of things, but by far, the most number of people talk to me about Love, Actually.
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