A Quote by Masahiro Sakurai
I was striving to become an engineer, but something happened that made me think, 'Maybe I can make games instead.'
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I wanted to tell her everything, maybe if I'd been able to, we could have lived differently, maybe I'd be there with you now instead of here. Maybe... if I'd said, 'I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.
I don't think I would ever be a doctor, but the reason I majored in science was because you could become a civil engineer, you could become a biologist, you could become a computer scientist - that was the point of it. I had no idea what I wanted to do. In my last two years of high school here happened to be these few scripts that I really responded to. Eventually, I landed the job, and that was something that I felt transcended whatever other people would think of me.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I started in engineering, where I think I could have happily remained and, who knows, made a bundle as a civil engineer or mechanical engineer. But more of my friends happened to be majoring in physics than engineering, so I switched over. No more compelling reason than that.
Maybe it’s my own fault. Maybe I led you to believe it was easy when it wasn’t. Maybe I made you think my highlights started at the free throw line, and not in the gym. Maybe I made you think that every shot I took was a game winner. That my game was built on flash, and not fire. Maybe it’s my fault that you didn’t see that failure gave me strength; that my pain was my motivation. Maybe I led you to believe that basketball was a God given gift, and not something I worked for every single day of my life. Maybe I destroyed the game. Or maybe you’re just making excuses.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
Maybe when you're alone or no one's looking, you dare to think, "Maybe someday I could get to work with somebody like Quentin Tarantino." For me, it happened. And it didn't just happen once, it's happened twice.
A lot of times, you design a logo to be timeless, but with something like the Olympics, timelessness is maybe not something you should be going for. Maybe you should be trying to come up with something that will really become associated with a moment in time, a few weeks, that happened, period. Then you look back, think about it and connect it with that time. It may look dated later but it will be still be evocative.
What whites have rarely had to think about—because being the dominant group, we are so used to having our will done, with a little effort at least—is that maybe the point is not victory, however much we all wish to see justice attained and injustice routed. Maybe our redemption comes from the struggle itself. Maybe it is in the effort, the striving for equality and freedom that we become human.
Many things have been said about what happened, but I don't know either. Maybe someday. One thing I'm sure of is that all the things that have happened to me, good and bad, happy and sad, have made me what I am today.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
The real risk is not
changing. I have to feel that I'm after something. If I make money, fine. But
I'd rather be striving. It's the striving, man, it's that I want.
I think that people ran out of oxygen and don't really know what happened up there, maybe some of them just made things up because they weren't sure what had happened.
The oppressed, instead of striving for liberation, tend themselves to become oppressors.
I liked speed. I was on black beauties all the time. Nothing bad happened to me. I didn't become a drug addict because I always had to make a movie. We weren't stoned when we made them; I was stoned when I made movies up. I did them all.
I still think that maybe the "afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe we are just matter, and matter gets recycled
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