A Quote by Masego

Most of my music is reflective, imaginative. A lot of it is about how I'm going to feel in the future. — © Masego
Most of my music is reflective, imaginative. A lot of it is about how I'm going to feel in the future.
What I'm most excited about is the future of human spaceflight and the fact that this is going to be the future; this is what we're going to do for the foreseeable future.
Essentially what's going to determine how you succeed in New York is how people feel about the space, how delicious the food is, how they perceive the value and, most important of all, how they feel treated. My understanding is Stephen Starr is exceptionally good at all of this and his ability to create a transporting experience.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
Going around not fully believing that you're going to die is really problematic because it affects how you think about the future of the planet, about the future of your own life, about the decisions you're making.
The music is an important and crucial part to an animated film. You don't think about it, but you can watch Tom and Jerry with no words, for hours, and the music dictates the emotion and where the story is going and how you're supposed to feel. Everything is in the music.
If you recognize how you are most effective - whether it's how you present yourself or whether it's how you speak, how you convey enthusiasm - when you realize what makes you feel like your most confident self, that's when you are going to be your best. You just have to figure out what makes you effective in your environment. As long as you get that right, they are always going to remember you a lot more!
If you take the fashion out of it, clothing has a lot of information - about how we feel about ourselves, how we'd like to feel about ourselves, and what we'd like to be: If you show up to an interview in sweatpants and a T-shirt, I'm going to deal with you in a really different way.
If you're going into finance, you might be dealing with a lot of sexism and a lot of alpha behavior. How are you going to deal with that? How are you going to feel powerful and comfortable with being who you are?
I just like to be in the now. And kind of reporting on what it is that I see, feel and that's really reflective of the times that I'm in, we're in and I think with the latest works, it's still evident that we're going through a lot of the same things.
I'm supposed to be a christian, but most days I don't feel like I can even presume to say that about myself any longer. I have a lot of mad left over. When I can't sleep, I think about the other people who didn't care how much pain and trouble they caused me. And I think about how good I'd feel if they died.
A lot of what you do is about how you look. You're a good-looking guy who plays music, and you can't do anything about what happens because of that. If people say, "He's cute. I'm going to go buy his album," hopefully they'll like the music, too.
I feel like I'm a trendsetter. I try to always stay on the edge of everything I do, whether it be music, fashion, film. I just like to stay abreast of what's going on. What's going on in the street and what's going on in the hood I put in my music and I feel like a lot of people follow that.
If you take care of yourself and try to look nice, it's reflective of how you feel about yourself.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
We drank quite a lot and Tony Harrington said, "We're thinking of starting a record label at The Wire; how about you do a solo record?" I said, "Well, how am I going to do that?" I thought about it, and I'd been working on a lot of music in the years before, and I was working as a journalist, full time, really, up until that point; in whatever little spare time I had, I was working on music. So I said yes.
As I get older, I become more imaginative and feel like I have maybe a shorter time to get a lot of things going on in my mind done.
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