A Quote by Matt Doherty
As a player I have to be ultra-careful, especially in supermarkets. How often does somebody pick up something, realize they don't want it and put it back for someone else to touch. So yes, I put my mask and gloves on to be safe because you don't want to get ill, do you?
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I can't pick up a pair of new gloves like Alec Stewart or Mike Atherton. I have to get them sweaty and loose, and put extra stuff on my gloves to protect the fingers.
Don't touch my napkin. I do not want the server to pick up the napkin and put it on my lap. I know it belongs there; maybe I don't choose to put it there.
Often, if there's something that I want to do, but somehow can't get myself to do, it's because I don't have clarity. This lack of clarity often arises from a feeling of ambivalence - I want to do something, but I don't want to do it; or I want one thing, but I also want something else that conflicts with it.
I don't want to put out something I'm not psyched on just because I finished it. That's the stupidest reason to do something, really. I want it to be up to my standards. I don't want to put out something I wouldn't listen to.
I know how to learn anything I want to learn. I absolutely know that I could learn how to fly the space shuttle because someone else knows how to fly it, and they put it in a book. Give me the book, and I do not need somebody to stand up in front of the class.
A lot of times I'll doodle on something while I'm doing interviews, because sometimes I'm on the phone for three or four hours and I want to get something going. I'll just start from a scribble, or something that someone else already put on the page.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.
It's very difficult to juggle two careers, unless you're going to have someone put it all together for you. Because you're on TV, somebody just gives you a record deal - that's not how I'd want to get it, because it's just not real.
What I put in the stock market, I don't have to touch in my lifetime. I want to live off my bonds. I want to be that safe.
You just want something else that someone else has, but that doesn't mean what you have isn't beautiful, because people always want what you have, and you always want what they have - no one is ever 100 per cent like, 'Yes, I'm the bomb dot com - from head to toe!'
What I put in the stock market, I dont have to touch in my lifetime. I want to live off my bonds. I want to be that safe.
I get up in the morning and I put on makeup and then I say somebody else's words in someone else's clothes, and then I go home and watch TV, have a glass of whisky and go to bed. And I'm overcompensated for that. So it's insane to not use that pedestal to try and at least help someone or something that's in need.
When we put up with any situation we don’t have to put up with, it’s not because we’re dumb. We put up with it, because we want the lesson only that situation can teach, and we want it more than freedom myself.
Like when you pick up a book and you don't realize what type of text it is - it could be an essay, a novel, a biography - and at one point you realize you don't know where, as a reader, you want to be. Where are you going with this text? What is the goal? How are you supposed to interpret what you're reading? And people's responses vary - some dislike it, and are put off by the confusion, the lack of comprehension.
My idea of putting the city on is giving inspiration to others to want to put themselves on. You should never depend on someone else to put you on. I used to do that, and it didn't get me anywhere.
I think the graphic novel form works, in practice, a lot differently from watching a movie. You can put it down and pick it back up whenever you want - something you can't do in a theater.
