A Quote by Matt Tong

I don't really believe in the use of drum machines live. — © Matt Tong
I don't really believe in the use of drum machines live.

Quote Author

Matt Tong
Born: April 29, 1979
If something is done really well then the question of live vs. DJ vs. instruments vs. drum machines doesn't matter - it's all just about taste, really.
Some records with drum machines on them sound phony and plastic. It all depends on how you use the tools.
I've got different drum machines that I use for different things, but I think the older ones are always the best when it comes down to getting that 808 bass.
I was the first artist, I think, to ever do an all-keyboard album. There were things that resembled it, like Stevie Wonder. A lot of his stuff was on keyboards, but he used brass and he used other things as well. I was the first artist, also, to use drum machines. I was really the one who kind of started that whole thing.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
I have mostly software synthesizers and software drum machines. I'm very lazy. I don't really like to plug in a lot of equipment and external boxes and everything.
Touch-screen voting machines absolutely cannot be relied upon. Our recommendation was optiscan ballots - where you actually have custody of the actual ballots after the ballots have been passed through the computer. That's the most reliable system to use. And people should not use the electronic voting machines. Even electronic voting machines with paper trails can be manipulated.
At home I don't really have any drum machines or anything like that, I just have a piano and a cassette machine, an old-fashioned one, an old relic which I've always used.
I've always been good about interfacing with machines. But that never seemed like a gateway to being able to make music. I never made the connection that music could be made with machines - that was what drum and bass was for me.
Many were starting to use computerized synthesizers & drum machines to produce an entirely new style of music. It was being punted by the critics that the guitar was old hat; I was reminded of the way my father & his clarinets were written off in the late Fifties.
I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.
I love Sylvan Esso. I want to bring in more electronic elements, but also some analogue stuff. Stuff like '70s drum machines really fascinates me.
I started with the organ and drums, and I later got into drum machines as a teenager.
The reason why all of us naturally began to live in France is because France has scientific methods, machines and electricity, but does not really believe that these things have anything to do with the real business of living.
If I really feel that I want to shoot live people and live backgrounds, then that movie will become live-action. If I don't have any particular actors I want to use, I'd probably consider animation for that project. Which medium I use doesn't really make that much difference to me.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
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