A Quote by Matthew Heineman
We mainly shot 'Cartel Land' with the Canon C300. The camera was dropped, smashed, hit by guns, in dust storms, torrential rain, and it never, ever failed.
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The effect of climate change is not simply to reduce rain during the summer months, but also to increase the number of torrential storms. When the rain falls that hard and fast, it cannot sink into the ground and go down to the aquifers.
'Cartel Land' seeks to give voice to the people of Mexico who suffer grievous harm from cartel violence and government corruption.
My current project was shot on film, and because of that I've spent my entire day removing dust-specks from negatives. You wouldn't have to do that on digital because you don't get dust on the scanner. I say to myself, "Why am I doing this all day?" I could have just bought a digital camera and I wouldn't have to remove dust-specks ever again. But when you move closer to a film image, it has a real truth to it. And I really like that.
The prairies were dust. Day after day, summer after summer, the scorching winds blew the dust and the sun was brassy in a yellow sky. Crop after crop failed. Again and again the barren land must be mortgaged for taxes and food and next year's seed. The agony of hope ended when there was not harvest and no more credit, no money to pay interest and taxes; the banker took the land. Then the bank failed.
When I put the camera back to my eye, I noticed a particular guardsman pointing at me. I said, "I'll get a picture of this," and his rifle went off. And almost simultaneously, as his rifle went off, a halo of dust came off a sculpture next to me, and the bullet lodged in a tree. I dropped my camera in the realization that it was live ammunition. I don't know what gave me the combination of innocence and stupidity... but I never took cover.
I can honestly say in my entire career, I've never gone around a golf course and not mis-hit a shot, but today I never missed a shot. I hit every driver perfect, every iron perfect. I'm in awe of myself.
If left unchecked, global change will create violent conflict, torrential storms, shrinking coastlines, and irreversible catastrophe.
Ever see a hot shot hit, kid? I saw the Gimp catch one in Philly. We rigged his room with a one-way whorehouse mirror and charged a sawski to watch it. He never got the needle out of his arm. They don't if the shot is right. That's the way they find them, dropper full of clotted blood hanging out of a blue arm. The look in his eyes when it hit --- Kid, it was tasty.
The rain fluctuates between drizzle and torrential. It messes with your mind. It makes you think things will always be like this, never getting better, always letting you down right when you though the worst was over.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
I wish all guns had blanks, and that's all we shot out of guns, because then I'd recommend that everyone has as many guns as they can. Just wandering around with that big loud sound exploding, and the force of it, is a blast.
I can't remember exactly how old I was when my parents gave me my first camera, but it was a Canon, and I was certainly far too young to have such a good camera.
Relationships never break cleanly. Like a valuable vase, they are smashed and then glued back together, smashed and glued, smashed and glued until the pieces just don't fit together anymore.
A camera is a camera, a shot is a shot, how you tell the story is the main thing.
Through surrender the aspirant's ego is effaced, and . . . grace . . . pours down upon him like a torrential rain.
I never know which camera is on me when I'm dancing and the director picks the shot he likes but it usually isn't the best shot for showing the steps I want the audience to see.
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