A Quote by Mauricio Pochettino
I'm of the older generation. I accept the new technology, but I try to keep a bit of that away.
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The most revolutionary aspect of technology is its mobility. Anybody can learn it. It jumps easily over barriers of race and language. ... The new technology of microchips and computer software is learned much faster than the old technology of coal and iron. It took three generations of misery for the older industrial countries to master the technology of coal and iron. The new industrial countries of East Asia, South Korea, and Singapore and Taiwan, mastered the new technology and made the jump from poverty to wealth in a single generation.
With all the new technology, DVD's, Blu-Ray's, NetFlex, everyone has access to older movies. There is a new generation now of Freddy fans. Fathers that saw the movie originally, these guys are dads now, and they let their kids watch them.
It is not new for the older generation to bewail the indolence of the young, and there is a tendency for the latter to maintain much of the older ethic screened by a new semantics and an altered ideology.
I strongly feel there is nothing like a trend or even 'new generation movies.' A movie can be of a new generation only in terms of technology and nothing else.
I think every age lives in a blend of technology so there's always older ones mixed in with newer ones, and when the new technology goes down, the immediate fallback position is either that technology just before that or one several technologies back.
I'm not known as a singer, but in life I like to do things that are a bit beyond my reach to keep myself from slipping. I find that technology has made it so that we don't need to have a memory system, and as I get older I want to do things that challenge me. What could be more challenging than doing this show with a knee that's been replaced, after tearing my Achilles heel with a baker's cyst on the back of my knee? And then I have to try and dance!
The new generation has to hear what the older generation refuses to tell it.
Each generation's job is to question what parents accept on faith, to explore possibilities, and adapt the last generation's system of values for a new age.
Everything I do has the tinge of the finite, of my own demise. At some point you either accept death or you just keep pushing it back as you get older and older. I've accepted it.
Our generation grew up with technology. It evolved as we grew up. This new generation has had it since they were babies. That's crazy. It fundamentally changes they way they understand and think about technology. They've never known life without it, whereas we knew life without the Internet.
I love technology - yes, I have fallen in love with older cars, but I'm all for new technology.
I am somebody who focuses on a dialogue between generations - that's the drive of my work. I believe the young generation take the power; they'll take over at one point, but the older generation, they'll push it away only because of the fear. I'm the opposite; I'm curious.
The generation gaps are becoming more and more extreme. It used to be a generation gap would be 20-plus years. Now, because technology and specifically communication technology is changing so rapidly, you have generation gaps that are like five years, ten years.
Knowing that a great bit of the technology is active and actually happening, and that the technology that we're talking about, in terms of uploading a human consciousness, is probably not all that far away, to be honest. Indeed, it will happen. It's pretty close.
I try not to be too precious about my writing, and I try to be willing to walk away from it for a few hours when something's not working, to let things percolate a bit. I try not to hide myself away from life too much, because I think that's a risky thing for a writer to do.
I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.
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