A Quote by Mauro Remiddi
Getting old is the most the beautiful thing. I can't wait until I'm 60, to be honest, reading the newspaper. I don't know what I am going to do. I'll probably keep on being a novelist and maybe some theater piece, some dance piece, some music for films. It's exciting to grow.
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You sit and you let your fingers go to wherever they are going to go. You wait until you start to hear something, and you start to figure out what it is that you're doing. And then you add another piece next to that piece, and wait to see if some kind of pattern or something interesting starts to grow, and then you cultivate it.
The beautiful in life...
Some talk of it in poetry,
Some grow it from the soil,
Some build it in a steeple,
Some show it through their toil.
Some breathe it into music,
Some mold it into art,
Some shape it into bread loaves...
Some hold it in their hearts.
Never let a day pass without looking at some perfect work of art, hearing some great piece of music and reading, in part, some great book.
I really like to absorb the project and watch it and work on the music a lot and just get the feel for it until eventually a moment comes where I know I've got it. A lot of it is trial and error. Some days a piece of music doesn't work then other day another piece of music finally says something and works with the picture and suddenly casts a light on all the other stuff you've done - probably because my mind is getting to understand it and the piece is educating me. I always feel like the score is in there already somewhere and I just have to channel it and accent it.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
I think back on that day when 16-year-old me scribbled on some silly piece of paper for some long-forgotten high school career-day project that my dream job was 'romance novelist.'
I am devoting some time to music. I'm finding a balance in my life right now so that when I'm not acting I'm really working on the music side of things... producing and writing and recording and also getting to do some live shows. It's a really exciting thing.
Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
I began by tinkering around with some old tunes I knew. Then, just to try something different, I set to putting some music to the rhythm that I used in jerking ice-cream sodas at the Poodle Dog. I fooled around with the tune more and more until at last, lo and behold, I had completed my first piece of finished music.
There are some girls who are turned on by my body, and some others who are turned off. but for the majority i just use it as a conversation piece. like someone walking a cheetah down 42nd street would have a natural conversation piece. then when they get to talking to me they see i am not mean but gentle to them and thats all they want to know
Not long ago, in response to a spell of insomnia, I learned some of the principles of meditation, to empty my mind piece by piece. It was like the old game of jacks - cautiously lifting each jack clear of its neighbor until only the empty background remained.
Arriving at a simple piece of music is a very difficult balance because, in being simple, you could easily be banal, so maybe it's more difficult to write a simple piece of music than a 12-tone piece where no one understands exactly what it is about.
There are many ways to calm a negative energy without suppressing or fighting it. You recognize it, you smile to it, and you invite something nicer to come up and replace it; you read some inspiring words, you listen to a piece of beautiful music, you go somewhere in nature, or you do some walking meditation.
I think that music is a very difficult art form in which to be avant-garde. When we sit down to listen to a piece of music, I think our implicit hope is that we're going to find it beautiful, or at least emotional, on some level.
Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?
There's some good films, there's some films that could be improved. So we keep trying until we get it right. That's the nature of storytelling, whether it's on paper or on film.
