A Quote by Max Joseph
It's funny - until 'Catfish,' none of my films were angled at young people except for the fact that they were angled at me and my contemporaries. And that's who I'm constantly making things for. I'm not imagining a younger audience I'm trying to impart wisdom to; I don't want to seem pretentious enough to think I can impart wisdom.
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I regret behaving badly when I was younger. I did not know any better at the time. The thing is that the incidents that I caused were not funny... Youth is wasted on the young. It is better to have the wisdom of an old man in a young body... I was a bit foolish and teased people, trying to be funny.
When you're young, you wonder what all these old people are droning on about, trying to impart their wisdom. It's not relevant to you because being young is such a specific thing. Thank God for that. Thank God for the young people who go out and demonstrate against rampant capitalism or whatever.
I think that we have a great opportunity to impart our wisdom and our knowledge and our experience to this younger generation. It may be different times, but experience transcends time, and wisdom transcends time.
Wisdom cannot be imparted. Wisdom that a wise man attempts to impart always sounds like foolishness to someone else.
Wisdom cannot be imparted. Wisdom that a wise man attempts to impart always sounds like foolishness to someone else ... Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it.”
- Hermann Hesse, Siddhartha "We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us from.
When I was at drama school, I wanted to change the world, and thought I had some great wisdom to impart to people about humanity. Now that I'm older, I know enough to realise that I know nothing at all.
I want to make sense of things, to understand the world, but my work is never really instructional. I have no wisdom to impart or give, so I think my dream readers would be people who just use the book as an excuse to get into their own cycle of thoughts. The book is just like a map. It's just a jotting-down of things that you can interpret in your own ways.
I talk to women all the time and try to impart wisdom.
There's a lot of wisdom that my dad and my grandparents and my uncle have been able to impart on me, and what I've treasured the most is I've seen examples in my life of people embracing their creativity, not feeling insecure about their artistic inclinations.
It took me a long time to learn how to be brave enough to put myself out there and try everything, no matter how strange or silly. If I can impart that same wisdom to other folks - no matter what age - it would be an honor.
What I feel the most confident about as a teacher, whatever my strengths and weaknesses are. The fact that I got to be around those people, I feel like that I have something to offer because of that blessing. Being around them a little bit... I'm not them. I'm certainly not trying to compare myself to them. But in lieu of them being able to impart something, the fact that I had so many people like that that were kind to me and talked to me was invaluable.
I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.
I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
Your Catfish Friend If I were to live my life in catfish forms in scaffolds of skin and whiskers at the bottom of a pond and you were to come by one evening when the moon was shining down into my dark home and stand there at the edge of my affection and think, “It's beautiful here by this pond. I wish somebody loved me,” I'd love you and be your catfish friend and drive such lonely thoughts from your mind and suddenly you would be at peace, and ask yourself, “I wonder if there are any catfish in this pond? It seems like a perfect place for them.
It was a wonderful time to be young. The 1960s didn't end until about 1976. We all believed in Make Love Not War - we were idealistic innocents, darling, despite the drugs and sex. We were sweet lovely people who wanted to throw out all the staid institutions who placed money and wars above all else. When you're young you think that's how life works. None of us were famous, we were broke. We didn't think they'd be writing books about us in 30 years. We were just kids doing the right thing.
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