A Quote by Max Joseph
The biggest affront to any audience is if you feel like someone took something you love and is selling it out.
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What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell?
I love Michael Bay movies. I don't think I'd be selling out if I did one. I happen to like his movies. I think selling out is doing something you don't believe in, and you're doing it for a selfish purpose.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
But love is something that has to be as selfish as it is unselfish. You can't make yourself love someone because you feel like you should. Just wanting to love someone isn't enough.
'Twelve Angry Men' was done with an intermission, and I took that out. I really wanted an audience to feel like they had no break, just like those jurors, and you're not going to get out of that room until you come to a decision.
When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.
I'm reaching a huge audience. I'm doing what artists like Beyonce are doing in terms of selling out stadiums. The difference is my audience speaks Spanish.
Selling one's book to Hollywood is rather like selling someone your house. After it's sold, it isn't yours anymore. They can paint it a different color, tear it down and build something new, or do anything they want.
I love being out there. as an audience member. It gives the audience a little bit of something different. Like, why are these wrestlers sitting in the audience? And why are they heckling at this guy and that guy?
I feel like so many people get into that place where creating for someone else is selling out and it is so not about that. It is a stupid, kind of pretentious way of thinking.
Attachment is your biggest strength and your biggest weakness. Though it gives you the power to love someone more than yourself, it becomes difficult to live when you lose something you are attached to. Even when we have lost, we should go beyond that and get truly attached to someone. Loving someone truly is the most beautiful feeling.
Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.
When you take a break from something you love doing, you just feel like it's time to get back into it; you feel like you've been missing out on something.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
When I feel like I'm stuck, I do something - not like I'm Mother Teresa or anything, but there's someone that's forgotten about in your life, all the time. Someone that could use an 'Attaboy' or a 'How you doin' out there.
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