A Quote by Max Winkler
I feel like there's a witch hunt by some film sites and people that immediately disregard something if it shows any sort of influence.
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Here in the U.S. we do have a problem with a president Donald Trump who uses language in two distinctly destructive ways. One is to lie, and to use words to mean their opposite. Like, when he calls the Russian investigation a "witch hunt." He can't call it a "witch hunt" because a witch hunt is something that a powerful person does against a powerless person. The most powerful man in the world cannot be the object of a witch hunt.
The witch-hunt was a perverse manifestation of the panic which set in among all classes when the balance began to turn toward greater individual freedom. The witch-hunt was not, however, a mere repression. It was also, and as importantly, a long overdue opportunity for everyone so inclined to express publicly his guilt and sins, under the cover of accusations against the victims.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
Dresden? There is not such a place any longer." "I want to point out, that besides Essen, we never actually considered any particular industrial sites as targets. The destruction of industrial sites always was some sort of bonus for us. Our real targets always were the inner cities.
Everyone loves a witch hunt as long as it's someone else's witch being hunted.
I have to take some time to dream some new dreams. I feel like there's a treasure hunt in front of me. A treasure hunt that is speckled with and seeded by a deep-rooted wild freedom.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows.
The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.
Comedy, in my opinion, is best when it's in the gray, and you're kind of pushing people's thoughts that they sort of had but never vocalized. And I think a joke is not good if someone says something, and immediately people are clapping because they're like, 'Yes! That is how I feel as well!'
I don't feel any real animosity towards critics when they write negative things. I think some are more perceptive than others. Some are very knowledgeable about painting. But it isn't something I have any influence over, so there isn't any point in worrying about it.
That is the essence of a witch-hunt, that any questioning of the evidence or the procedures in itself constitutes proof of complicity.
The witch's hair was too short and too dark for blond. She wasn't sure if that relieved her or disturbed her. Riley had immediately begun his interrogation, and it had gone something like this: Riley: Where is the meeting between your kind and Aden Stone supposed to take place? Witch: Go suck yourself. Riley: Maybe later. Meeting? Witch: Enjoy death. Riley: I have once already. Now, decide to talk or lose a body part. Witch: May I recommend a finger? Riley: Sure. After I take one of your very necessary hands.
We hunt in Florida, where I live in Jay. I hunt in Alabama a little bit, on my uncle's land. I go to Illinois and hunt with some friends up there. I hunt in Mississippi and Missouri.
I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
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