A Quote by May Pang
I know what I saw. And the rational explanation is... it was a UFO. There's UFOs over New York, as the song goes. And I saw another one in the early '80s, and I know other did people did too.
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I read a lot of the battle that goes on between the ufologists, you know, the ones who think that UFOs are aliens, and the people who think that UFOs are demons. They battle with each other, and sometimes I interject comments, every now and then. Not as myself, but under another moniker.
But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for...for the rest of my life. And it still is. It's still my favorite song... Lincoln, I said you were cute because I didn't know how to say--because I didn't think I was allowed to say--anything else. But every time I saw you, I felt like I did the first time I heard that song.
The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.
I know General Grant better than any other person in the country can know him. It was my duty to study him, and I did so day and night, when I saw him and when I did not see him, and now I tell you what I know, he cannot govern this country.
I was shocked cause I didn't even know that they made my jersey. I didn't know that they made it so fast, so when I saw it I was like, I had to look three times and I was like, 'Did they customize that?' And then I saw a couple of other ones and I was like, ok, they must've made them overnight or something.
Jack Bruce, as soon as I saw him, it changed me. I didn't even know what bass players did until I saw Cream.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
There's a lot of UFO sightings in New Orleans, which isn't really too surprising. There's a lotta crazy people there. The people there lack the intelligence to know what they are seeing, so that's why the UFO's go there.
I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.
My son is 12 now, and is really getting into girls. A lot. But the thing about twelve year old boys is that they don't possess what I like to call that ... discretionary gene yet. We were walking home from the ballfield the other day and there was a woman walking towards us who was ... gifted. I saw them, and I saw him see them. But she was too close for me to go, "Dude, shut up." She hadn't walked two feet behind us and he goes "God dang, did you see the SIZE of those things?" And all I could say was "Yeah, I did!"
I saw the gooseflesh on my skin. I did not know what made it. I was not cold. Had a ghost passed over? No, it was the poetry.
One day, I looked up and saw I had an extensive resume and saw how I did that and did not realize it because you are constantly working and trying to build a body of work.
As a kid, I grew up on a farm in Florida, and I did what most little kids do. I played a little baseball, did a few other things like that, but I always had the sense of being an outsider, and it wasn't until I saw pictures in the magazines that a couple other guys skate, I thought, 'Wow, that's for me,' you know?
Your father," Luke said, "what did he say to you when you saw him? What did he promise you?" "Oh, you know. The usual. A lifetime's supply of Knicks tickets.
Early on I saw the plastic quality in colored people and had friends among them; and later was to work from colored models and friends, including Paul Robeson, whose splendid head I worked from in New York. I tried to draw Chinamen in their quarter, but the Chinese did not like being drawn and would immediately disappear when they spotted me.
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