A Quote by Meg Whitman
What's sort of interesting about the whole public relations disaster that is the Net, in some ways, is that the fundamentals are really good.
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What's interesting about art in public spaces is that the public really sort of takes over and uses it in ways that you didn't anticipate.
Look at growth, look at how much time people spend on the Net and look at the variety of things that they are doing. It's all really good, so I am actually encouraged by the fundamentals that underlie usage growth on the Net.
Well, in some ways I had sort of the opposite experience of other people that are sort of dreaming of being in a rock band. I was dreaming of like corporate lunches and just like, and I'm not really joking. Like the whole idea to me was really appealing.
And, in some ways I like traveling, in other ways I'm sort of fed up by the whole notion.
You can't really explain competing in Olympic event to someone. You can say, "Oh, that was really tough." And that literally means nothing to someone. If you can give some sort of comparison, because that's really all track and field is about any way....Usain Bolt runs a time and you get to see what everybody else's time is. It would just be interesting to compare Olympians to somebody who doesn't train their whole life.
In public relations, you live with the reality that not every disaster can be made to look like a misunderstood triumph.
I feel like sometimes, when I talk about 'Transparent,' I'm in a cult. And in some ways, I guess I sort of am, although it's a cult that pays me, and I don't pay it, so maybe that's a really good cult.
The appropriation of radical thinking by lazy, self-obsessed hippies is a public relations disaster that could cost the earth.
I think that President [Dwight] Eisenhower was... did the most marvelous job in the war, not really a military job: a public relations job, and it was essential that there should be a public relations job done in the post that he had.
Fundamentals, fundamentals, fundamentals. You’ve got to get the fundamentals down because otherwise the fancy stuff isn’t going to work.
The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.
You could reduce people's fears if you gave them some useful information before things went wrong. It's really important to create a sense of confidence in the public in their own abilities before a disaster because they're the only ones who are going to be there. No one's going to help you for at least 24 to 72 hours. So it would be good to know more about it.
In some ways, in the U.S. we don't know how to be. I think in a lot of ways America is about liberation and about change and progressive human relations. And because of that, I feel like that we're confused about who we're supposed to be and what it is that's supposed to satisfy us and make us feel fulfilled.
I didn't expect the book to sell in the first place. I was hoping for a quick and merciful death at the hands of reviewers but at the same time I sort of hoped that maybe someone would like it enough to give me encouragement. Public encouragement. I hoped for a little, as I said, but I got rather a whole lot, and in some ways this was just about as frightening as the quick, merciful death I'd expected.
I feel like we're stuck in the former mode of reacting because that's what gains traction in Washington. But I really believe we need a robust public good argument. Net neutrality is not just about creating the next Instagram or Farmville or whatever.
A criminal has a kind of freedom by definition that the ordinary citizen doesn't have. The criminal's able to realize himself in ways not available to the general population, if you want to put it that way. They're interesting and unpredictable. Characters always have to break some sort of bound or other to be interesting. It also helps if they're paradoxical.
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