A Quote by Megan Griffiths
All any filmmaker can do is focus on creating something that has depth and resonance, and then do whatever possible to get it seen by audiences and hope the word spreads.
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White is too brilliant to be seen, so yellow is its filter, its costume, revealing that pure light has not only brightness but emotional resonance and depth.
I hope films will be somehow preserved and seen by as many people as possible in the future. There are endless treasures for audiences to discover, if only we can keep them from disappearing.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
Boxing has definitely allowed me to focus on something other than just creating content which I think we've seen historically can be so toxic.
I don't like to talk about messages so much with films simply because it's a little more didactic. The reason I'm a filmmaker is to tell stories and so you hope that they will have resonance for people and for the kind of things you're talking about.
It is indeed my opinion now that evil is never “radical,” that it is only extreme, and that it possess neither depth nor any demonic dimension. It can overgrow and lay waste the whole world precisely because it spreads like fungus on the surface. It is “thought-defying,” as I said, because thought tries to reach some depth, to go to the roots, and the moment it concerns itself with evil, it is frustrated because there is nothing. That is its “banality.” Only the good has depth and can be radical.
I wanted to focus on creating a solid foundation, creating my blueprint, and understanding who I was. You can get distracted easily, and people take you off course with just a compliment. I wanted the focus to be on Karen Civil the businessperson, not what I wore, not what I looked like.
It takes a while for audiences on film to see you as something different if they've seen you for so long as a specific character. It's up to the actor to be like, 'Look man, let's try something else,' even if it's an ultra-low-budget independent. People who rep you will keep going with whatever they can send you on.
As a filmmaker, you want your work seen by the widest audience possible.
I'm the kind of person who likes to focus on one thing at a time. I'll focus on my skiing and then when I get to the bottom of my run and the cameras are on me, I'll focus on what I need to say, and then I'll focus that night on recovering and getting ready for the next day.
For me, it's always filmmaker and then character and then story. They're all equally important but if you don't have a great filmmaker, you will not have a great film unless you just get lucky.
Any filmmaker would want to make something that can still be seen without someone saying, "Ugh that was repulsing, offensive, don't bother visiting it 2nd time."
You know, you have to start with hope...you don't get anywhere in this country without hope. So it's a necessity. What Barack says is that people have to understand hope isn't just blind optimism. It isn't passive. It isn't just sitting there waiting for things to get better. Hope is the vision that you have to have. It's the inspiration that moves people into action...There are more people engaged in this political process in this year than we've seen in my lifetime. And it is all because of hope because people believe in the possibility of something unseen.
I am deeply moved when I write. I get turned on by it. I've never used any drugs for stimulation. I don't use words loosely. When I'm working and the right word comes, there is an answering resonance within me. There is also a hardness of intention that goes with it. There is no idleness in it.
As a director and filmmaker, I love creating my own opportunity, and getting to share the love, in that way, by creating other opportunities for people that I admire, so that they can do something in a way they haven't done it before.
