A Quote by Megan Griffiths

If you don't have a dream as an artist, you shouldn't be an artist, because you should be working towards something and trying to reach that always, whatever that is.
As an artist, you're always trying to reach a new height, do something new, try something you haven't done before, and push your boundaries.
What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience, a thought.
I enjoy meditation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
I enjoy mediation. I think the artist's position is often to mend the things we feel are broken. Whether that's between two cultures or two thoughts. We're always trying to reach, trying to expand something.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
Society takes what it wants. The artist himself does not count, because there is no actual existence for the work of art. The work of art is always based on the two poles of the onlooker and the maker, and the spark that comes from the bipolar action gives birth to something - like electricity. But the onlooker has the last word, and it is always posterity that makes the masterpiece. The artist should not concern himself with this, because it has nothing to do with him.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.
To anyone who's trying to be an artist, in any medium, it's a very odd and lonely and nerve-wracking and scary process when you let anybody see what you're working on. You have to learn to listen to your instincts. Absorb other people's advice, opinions, or whatever it may be from the outside world, but at the end of the day, you have to be true to whatever it is that you're trying to say in that work.
Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.
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