A Quote by Melina Matsoukas

For me, the scariest moment is walking on set before we shoot the first shot, and I am so anxious. It's a lot of pressure, and it's scary, and I don't think that fear ever goes away.
I don't think I could ever reach the giddy heights of the inspired comedy and tragedy that's happening now in Washington. I mean, it's mesmerizing to watch but it's also scary. For me, the scariest thing about it is all those people who were so absolutely opposed to Donald Trump before he got elected, and then have just drifted away and kept quiet. It goes back to: We've always got to be vigilant about democracy because it can go wrong.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
There's that really scary moment when you premiere music that no one's heard. It's the best and the worst moment. You're so scared. If it goes down well, then it's the best ever, but before you do it you want to die.
When I've known something is right, the actual doing of it is not scary. It's like being onstage or performing. After it and before it, there might be a lot of fear, but the act of it is never scary for me.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.
I don't think me walking away from modeling was scary for me. In hindsight, I think it was very risky, when you talk about risk. Because it paid the bills.
It takes a lot of time to write and put up a sketch show, but that's part of who I am. I don't think that ever goes away, that sensibility - especially coming from the Upright Citizens Brigade. That's just who I am.
I generally don't climb something if it makes me feel fear. The beauty of soloing is that there's no pressure - no one's telling me to do it. So if something seems scary, I don't have any obligation to do it. I can prepare further or just walk away entirely.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
I feel like an old-fashioned mountain climber when I am making discoveries, seeing something for the first time, realizing that no human before me has ever seen what I am seeing. It takes your breath away - for just a moment, you feel a pause in time, as you know you are crossing a boundary into a new realm of knowledge.
I actually do like scary movies. I used to hate scary movies. You know, when I was young, I saw 'The Changeling,' with George C. Scott, which I think is the scariest movie ever made. After I saw that, I swore I would never see a horror film again. Then I started making them.
I would never ever, ever, ever, ever do it again [All My Children]. It was the scariest thing I've ever done. I have such respect for people who do it, who can do it. What happened was they caught me at a good moment. I could use the money and this came along and it was with Susan and I thought, "Susan Lucci. I have to do this.
If I had to pick one scariest thing bout becoming a father, I'd say... the whole thing! From the moment you find out, all the way through the pregnancy, the birth, a new level of fear and horror as a helpless, on-looking bloke and even then when they are out and running about in the world, the fear never ends. It's constant worry, and 'am I doing this right?' and 'why is he making that noise?' and 'has anyone ever died from eating ham?'. It's non-stop.
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.
This site uses cookies to ensure you get the best experience. More info...
Got it!