A Quote by Melina Matsoukas
In college, I interned at a production company and spent a lot of time on sets. I love music videos and felt I could be experimental and hone my craft in that genre, so I started there.
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I owe a lot to my parents, because they kept no genre off limits. Music was always playing in the house. They never told me to be quiet, turn the music down or anything like that. So I felt pretty free and experimental as a kid to kind of figure out my own voice.
We spent a lot of time making 'Transangelic Exodus' and toward the end of it, my ability and my love for music - that is, just garage music, direct and immediate - started to feel neglected.
During college days, I started working with a line production company.
But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.
I went to college in New York. I interned at Vertigo, and then I interned at Marvel working for Chris Claremont. Just to age myself, this was in 2000.
What I realised is, watching some old home videos, I've always had a weird accent. It's because I spent a lot of time on film sets. But Australia will always be home... I sound like the Qantas ad, don't I?
I changed my diet drastically. In college, I was a typical college guy who ate junk food all the time. When you're in college, your metabolism is through the roof. I felt like my body started to change when I was 22 or 23, so I started meeting with a nutritionist and it completely changed everything.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
I spent a lot of time in college studying theater of the absurd and Beckett and Genet, and then I spent a lot of time after that at 'Gossip Girl' auditions, thinking, 'Wow, I really wasted my money.'
I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.
A lot of people just love music, especially a lot of aspiring artists. They just want to jump in and start making music. They don't really take time to grow and appreciate the craft.
We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.
Well, ever since I started helping out my husband with the management of the company, I have been involved with the making of music videos.
When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.
At college, I felt frustrated thinking three years was a long time and I just wanted a job but afterwards I was in employment the whole time. I got into a theatre company and started doing stand-up gigs for cash, so I lived hand-to-mouth, but there was always enough to pay the bills.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
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