A Quote by Meryl Streep
Sometimes you look out the window and you look at all the windows, and think inside very single one of them is somebody with some huge, weird, terrible problem, some great jokes.
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So many dancers feel that what they look like is more important than who they are. This is a real danger for dancers who focus for years on appearances and think of themselves as merely a body. The choreographer can't work with them in the realm of ideas. It's a huge problem if they haven't been connecting internally. If they've decided that what's inside is of little value, they can only try to approximate some kind of look.
Sometimes something can look beautiful just because it's different in some way from the other things around it. One red petunia in a window box will look very beautiful if all the rest of them are white, and vice-versa.
It still amazes me when I look at some of the films I've been a part of, and some of the people I've gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at times.
I think being appropriate is what you have to do. I think these trend things are terrible, like 'Ten Things You Must Have.' Why must you have them? They're a 'must' for some people, but for some they're not. It's silly. Again, it's all a matter of knowing who you are. You'll never run out of ideas once you do. But it's hard work and some people don't want to put in the time or effort. So they don't. And that's their issue. I don't sit in judgment on how they look.
When you look out of a window, when you look at anything, you know what you're seeing? Yourself. A thing can only look beautiful or romantic or inspiring only if the beauty or romance or inspiration is inside you.
Civil marriage is a very serious problem. I think that even the religious understands that we must look for some kind of a solution because we have some contradictions. . I'm sure there are many solutions.
There's a huge challenge around coral bleaching specifically, because when most people think about coral, they think about the beautiful, white sculpture sitting on their mantle. And it looks so pristine and clean and beautiful. It's not supposed to look like that when it's in the ocean. It has color, it has animal flesh living on it, it has plants living inside of that. They look very, very different when they're healthy in the ocean than they do when they're sitting in somebody's home.
I don't know - I think guys don't get as much credit as they deserve sometimes for how hard it is to put a great look together. It's so easy to just do a 'suit,' but to make it look a little different, it takes some effort.
I wear my heart on my sleeve, and whatever I was giving, it was just coming from my natural place at that time. And you know, some albums I've made, I look back and think they were great, and then some I look at, and I think that wasn't right at the time.
THERE IS NO mystery to happiness. Unhappy men are alike. Some wound they suffered long ago, some wish denied, some blow to pride, some kindling spark of love put out by scorn--or worse, indifference--cleaves to them, or they to it, and so they live each day within a shroud of yesterdays. The happy man does not look back. He doesn't look ahead. He lives in the present.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
It's great that people are basically spending their two weeks of vacation to come out and be with us in some weird part of the world. And I think we owe it to them to take 'em to some cool places.
I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.
We don't look at problems logically, we look at them emotionally. We look at them through the guts. We look at them as if we're doing a high school problem, like what is beautiful, what makes me recognized among my peers. We don't go and think about things. We, as a society, don't wish to engage in rational thought.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
I had seen that look before, on the faces of tourists visiting the Texas Book Depository in Dallas where Lee Harvey Oswald took the shots at JFK. I took that tour and met some conspiracy buffs, all of us standing at the gunman’s window and looking down to the spot where the motorcade passed. It’s right there below the window, an easy shot at a slow-moving car. No mystery, just a kid and a rifle and a tragedy. They came looking for dark and terrible revelations and instead found out something even more dark and terrible: that their lives were trite and boring.
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