A Quote by Michael B. Jordan
I really want to have a really, really strong, one-sided opinion on something, and be connected to it and tell that story. Until I find that thing or that topic or whatever it is, I don't want to direct.
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I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
I feel a strong affinity to Ke$ha and Katy Perry and a lot of these women who are really pushing the girl power femme fatale thing. It's fun, and it's unapologetic, and they tell women they can do whatever they want, and that's true, and that's a message that I want to carry, to tell girls they can do whatever they want.
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
I'm an actor who loves to direct film, if I find something that I'm compelled to do and want to spend three or four years doing. I really love the process, though. I might have to just say, "Yeah, I want to direct that," because I want to direct something, but that's just not the way my being is. It's got to be a necessity for me, otherwise I'll just keep acting.
I have a gut reaction to stuff that I read. Either it's a filmmaker that I really want to work with, or it's a story that I really want to be a part of and help serve, or there's a character that I feel I can bring something unique to. That's really what it's about. I would go crazy, if I just relied on the same tricks and did the same thing, all the time. It was just be no fun, at all. I really do need to try something different, every time out, and do something that scares me, a little bit.
The problem for a lot of people is that they don't really know what they want. They have vague desire: to 'do something creative' or to earn more money or 'to be free', but they can't really pin down what it is precisely that they want.
So they drift from one thing to another, enjoying some moments and hating others, but never really finding fulfillment or success. (..)
This is why it's hard to lead a successful life (whatever that means to you) when you don't know what you want.
I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
I have been lucky in getting a lot of the projects I've wanted, maybe because I'm really, really driven. But there is a stigma that women can't direct big studio films. Not that I want to do that, but it is a topic that comes up a lot.
In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.
I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
Technology is something that grows and changes, and what I need to do is find out what it can do so it can do what I want it to do. And I want it to do whatever I want it to do really fast. And it's fantastic.
I used to just let people tell me what to do. I didn't really have a mind of my own, and I couldn't really say yes or no to things because I didn't really know what I wanted, but now I feel really confident in the fact that I can really be distinctive on what I want and how I want to do things.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
To really be known and really let someone else be known is very vulnerable. It's a weird thing. Just being an actress in Hollywood is very vulnerable. To let all these other people decide whether you're really of value or not, you have to really be strong to know that, of course, they have a right to their opinion, but their opinion doesn't matter as far as yourself.
When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.
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