A Quote by Michael Bastian
I've always had this thing for swimming pools - I think they're much sexier and far more glamorous than the beach, in a way. You dress differently when you're spending a day at an amazing pool than you would dress for the beach.
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In Brazil, even inside the same city, people from different parts dress differently. Sao Paulo, for example, is more connected to global trends and urban movements. Rio de Janeiro is more influenced by the beach, and has a sort of Cali vibe with the way people dress. Porto Alegre down in the south has a hard winter, so people have to dress to face the cold days.
I grew up on the beach and I grew up surfing and I grew up swimming in this very genuine beach town back in Australia, and it's just something I really want to reflect in my lifestyle and in the way I am, the way I represent myself, the way I dress and the music that I make.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
I would go to the beach in my turtle neck, all bundle up. I would read my book and kind of scowl, but I hadn't seen the most beautiful beaches in the world. We had a beach (in Canada) where you couldn't even go swimming. But once I travelled and saw more beautiful areas, my relationship to the planet expanded I started connect to it more and be more aware.
Our home in Dubai is a beach house, so it's more casual and not formal in its tone. It's a holiday home. We are mostly in the pool or on the beach or in the sun. It's an outdoor place for the family. So there are mudbikes, a boat, football posts, and the pool is heated.
I think the fact that my parents weren't conventional - especially considering their position - had a big influence on the way that I conduct myself now in design and business. It had a huge impact on my wanting to do something a bit more than just designing a pretty dress and putting it on a runway and making it glamorous.
I cannot lie on the beach or by a swimming pool. I think I'm too Nordic to like a lot of relentless sun.
There's a Diebenkorn painting - 'Ocean Park No. 68' - that is the color of a swimming pool and always reminds me of summers at the beach.
I grew up in the Midwest, quite far from any ocean or any beach, a million miles. I think for kids who grew up where I did, the idea of California, surfing and beach life was so exotic and glamorous.
I was always writing about the connection between man and nature. I grew up in a neighborhood that was right on the beach, but the beach was not like a beach you would imagine - there was a lot of pollution. And the most magical thing to me as a kid was sea glass, so I wrote about that a lot.
I always had the fantasy of Hollywood and Los Angeles and the beach, not realizing that Hollywood was so very far from the beach.
I was looking at pictures of cats laying out on the beach and I thought, "Cats hate water, so why would they like the beach?" But then I realized that cats like to just lay around and lounge and be lazy, and what better place to do that than on the beach?
Your earthly body is after all nothing more than a dress and inside it is a finer dress, and you yourself are in this finer dress.
I live three blocks away from the beach, so every day I walk down to the beach to run or go swimming. Hiking is a big one for me - so long as it's something where I'm not thinking about working out, like in a contrived class or the gym.
If there was a choice on spending a lot of money on accessories or dress, I always chose accessories. I think jewelry can change an outfit more than anything else.
I'm no day at the beach. And if it is a beach, it's Hampton Beach. Ever been there? It's not nice.
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