A Quote by Michael Bloomberg
Look at the streets! The people have smiles on their faces, they're hustling and bustling and going places, they're well-dressed, there's lots of construction going on. It's kind of hard to feel sorry for an economy like this.
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One night my son was downstairs studying, and he had been up so late all that week, and my husband said, "I feel so sorry for him." I said, "Look, if he's going to become a surgeon" - he is studying to be a doctor - "he's going to have his hard times. I feel sorry for him too, but if he lives in this world he's going to have more hard times. He's going to stay up some more nights." I think we can't shield them from the hard times, even though we'd like to. I say to the children that I teach and to my own - I can't test the ground for you and tell you that's a safe step there.
We're not responsible for the bustling and hustling that may go on here. Lots of people bustle, and some hustle. But that's their business, and a very old one.
Every morning I look in the mirror and make a promise to myself. To stop acting like this today. That Mi Soo is a good friend. That John only loves me. But it doesn't work that well. I feel like I'm going crazy if John even smiles at Mi Soo. Even when they sit across from one another! I really feel like I'm going to die.
I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.
One day, walking through the Bronx streets, I just realized that people were stopping me, taking pictures, and noticing me from across the street. I can't even use public transportation anymore, so I kind of stopped going places and started going straight to the studio, going home, and telling people I can't go anywhere anymore.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
I said, 'What I'm going to do is dress as plain as humanly possible.' I'm not going to wear anything fancy, I'm not going to have fancy music, I'm not going to have fancy pyro - I'm literally just going to be a dude walking into the ring. I'm going to look like I just got off work from a construction site, and I am now punching you in the face.
We've got some fundamental choices to make about the kind of country we want to be. Will we accept an economy where only a few of us do spectacularly well, or are we going to build an economy where everyone who works hard has a chance to get ahead?
I was really from the streets, and I really did hustle in a major way. When I got my record deal, I left the streets alone as far as hustling. I never, ever hustled again. I said, 'I'm gonna change my life, I'm going legit. This is where I'm at.'
I want to go as hard as I can, and if I look like a guy out there playing ball, well, hey, I feel sorry for the opponent.
You have to know yourself and know what you can carry. If you're not comfortable, no matter how well dressed you are, you're not going to look right. I'd rather be happy and feel comfy.
The way I look it is hard to look like a normal person. You know, in the streets when I was a kid, people always said I looked strange, and it made me feel unhappy.
I go to Topman at lunchtime and stare at these beautiful, beautiful people who work there and who are so well-dressed. And I think: 'Oh! I want to look like that! They're amazing, how well-dressed they are!'
I dress like a boy most of the time because I like what's comfortable, so sometimes when I have to wear dresses and makeup, it's kind of comedic. I take lots of pictures on my cell phone: 'Look, I'm dressed like a girl! Surprise!'
I have a natural instinct to feel guilty and that I've let people down. I've apologized in more songs than 'Back to the Shack.' Going back to our second record, the closing lines are 'I'm sorry, I'm sorry, I'm sorry.' It's definitely part of my personality.
I'm kind of like an open wound all the time, and that's hard. It's hard to deal with, especially in this industry. Every time I leave a movie, I feel like I'm going to die. Because you connect with these people, and then they all leave. I wish I wasn't like that, but I am.
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