A Quote by Michael Brandt

In features, one of the goals is to have the audience walk out, fully satisfied. In today's world, it's maybe wanting a sequel. — © Michael Brandt
In features, one of the goals is to have the audience walk out, fully satisfied. In today's world, it's maybe wanting a sequel.
I traced the path I walk today and my goals are many. I think that I'm achieving my goals.
For us the acceptance of audience is important, we won't keep making sequel after sequel just for the heck of it.
At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
Maybe some of today's papers have too many 'feel-good' features, but there is a lot of good news out there.
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
You don't fully understand the meaning of a work until the audience responds to it. Because the audience completes the circle, and adds a whole other shade of meaning. Whenever you view something, and this is why great works of art survive decades and centuries, is because there's a door within the work that allows the audience to walk through and complete the meaning of the work. An audience isn't passive, nor are they unintelligent.
I was never satisfied if I didn't win a major. I mean, not that year or any major I played, I wasn't satisfied unless I won it. But that's what our goals are. I'm sure that these guys' goals are the same as mine. They want to win every time they play. If you don't win, then you're not happy, obviously.
I was also a fan of the first one Saw movie. I knew there was a danger in doing the sequel, especially like this. They have such a core audience for the Saw movies. The fans of the movie actually demanded a sequel. They were on the internet going crazy. I don't even go on the internet. I don't even know how all this stuff happens. But they wanted it and one the one hand that's good, because you know there's an audience.
I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to maintain a front for the audience, but in this case there literally were creative differences.
How can you just leave me standing? Alone in a world that's so cold? (So cold) Maybe I'm just too demanding, Maybe I'm just like my father too bold.Maybe you're just like my mother She's never satisfied (She's never satisfied) Why do we scream at each other? This is what it sounds like when doves cry.
I saw 'Billy Elliot' again, and what I loved about it was the way it had become a social document, a reminder of what happened with the mining communities in the '80s. And I thought, 'Everyone keeps wanting me to make a sequel to 'Beckham,' but maybe a musical remake is the answer, embracing all this theatricality.'
I didn't start out wanting to be a defender. Who would want to be in the back-line after having watched striker Paolo Rossi score six goals in the 1982 World Cup?
If people see that I'm fully committed to my chosen charities and fully engaged in their issues, maybe they'll click a link to find out more.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.
And one of the things I noticed pretty early on in art school was that my classmates had no notion of an audience. Right? I mean, growing up with the mother that I did, I learned that when you walk into the dry cleaners, there's an audience waiting for you. You know, maybe it's just the person behind the counter.
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