A Quote by Michael Carrick

When I was setting out as a kid, five, six, seven years old, England was a dream. One of my best days as a player was my England debut - but it didn't quite happen after that! — © Michael Carrick
When I was setting out as a kid, five, six, seven years old, England was a dream. One of my best days as a player was my England debut - but it didn't quite happen after that!
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
In England, there are five, six, seven big clubs, and you can never be sure who will win the title in the end. It's very exciting.
I think with England, I look at myself and accept that I didn't do well enough; then, other times, I was playing my best football for United and England didn't happen.
What can the England of 1940 have in common with the England of 1840? But then, what have you in common with the child of five whose photograph your mother keeps on the mantelpiece? Nothing, except that you happen to be the same person.
I made my England debut when I was 17, against India. I was the first Asian to play for the England women's team, and I did have mixed feelings playing against the country my parents are from but I was born and bred in England and I've always known I wanted to play for my country.
For a spinner growing up in England, it is challenging to become an off-spinner. The line and length needs to be altered on each of the four days of county cricket or five days of Test matches. The pitches in England don't have a set pattern. It changes with each day, and accordingly, the length varies.
There's a few kids out there who like singing to my songs. They're, like, five, six, seven years old.
I had a place in England and was commuting from England to Australia, which is pretty stupid, but after two years I sort of knew what I wanted to do, more or less.
Quickly, after I landed in England, I found out ways to get scholarships. England turned out to be a very encouraging place for me.
What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
I moved south when I was 11 years old, moved to England. I've lived in all kinds of places, all parts of England.
In New England, I learned so much about football. I always thought I was a smart player, even though I never thought about anything but the six inches in front of my face. In New England, I was forced to learn so many schematic concepts.
If you ever go to Las Vegas, and you will, just go for a few days. I was there recently for seven days, seven days in Vegas. After I blew all my money on gambling and prostitution, I had six days to kill.
I made my England debut against Japan in 2013. Hope Powell, our manager at the time, always demanded the best. She had quite a stern approach... She'd look at you over her glasses sometimes.
'Five, Six, Seven, Nate!' opens on my 13-year-old protagonist packing up a duffel bag and bidding his Midwestern town goodbye, heading off to start rehearsals for his New York City debut in 'E.T.: The Musical.'
You come to my studio, it says 'No photography on premises.' I picked that up from Kanye. We don't need all that. In the old days in the Wu, we didn't allow anybody in the studio, not even women. We didn't start allowing women until five years after our debut. ODB used to get mad.
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