A Quote by Michael Gracey
I'd love if between 'La La Land' and 'The Greatest Showman' we generate a new wave of movie musicals because, as an art form, musical narrative is so engaging and has produced some of the most iconic moments in cinema history.
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I loved 'La La Land.' I would love to do a film like 'La La Land' which has so much simplicity and joy of cinema in it.
It's kind of a lost art form, the musical, in a way, so when 'La La Land' came around, I couldn't believe my luck. I just felt like I needed someone to keep on pinching me 'cause not only was it a chance to make a musical but to work with Damien Chazelle, Emma Stone, and Ryan Gosling.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
We were producing 'La La Land'... and then we weren't. So it was a very painful topic, but I'm happy the movie was as successful as it was. And, of course, I wish we had produced it.
I love going to see musicals. That was one of the major reasons why losing the chance to produce 'La La Land' was so painful.
A movie like 'La La Land' would be just great. I just cant get over this musical love story. I loved Emma Stone and wish to do a role like that in future.
I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.
The first time I met Janhvi on the sets, I took her to watch 'La La Land,' because she hadn't seen it. Soon, we started bonding over cinema - both of us are film buffs - and we realised we share a natural equation.
Making art for me is not fun in the sense of la, la, la, la, but it's something that I find very absorbing and very satisfying.
I think the American people, with some justification, think that most politicians live in la-la land.
Kind of the critical acclaim of this movie [La La Land] is that it's striking a chord with the public in a way that has been really beautiful and powerful.
Now is the month of Maying, When merry lads are playing. Fa la la... Each with his bonny lass, upon the greeny grass. Fa la la... The Spring clad all in gladness, Doth laugh at winter's sadness. Fa la la.
I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
Some of the styles of dance in 'La La Land' I wish I had spent time on when I was a kid.
Some of us talk about other people and what they do and la la la. But I'm not that person.
When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.
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