A Quote by Michael Gracey

To get 'The Greatest Showman' greenlit, we had to get everyone into New York City to hear a read through, where we'd read through the script and sing it. — © Michael Gracey
To get 'The Greatest Showman' greenlit, we had to get everyone into New York City to hear a read through, where we'd read through the script and sing it.
Whenever I've gone against my instincts, it's been a bit of a disaster. If there's a script I'm considering, I will get everyone to read it. I will get my mom to read it, I will get my friends to read it, I'll get the person doing my manicure to read it. I'm someone who really needs to talk things through. And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
I took over a city that had two riots in four years and I had none. And they knew they couldn't riot on me. And when I saw the people on the street in New York City, I said to myself, you're breaking Giuliani's rules. You don't take my streets. You can have my sidewalks, but you don't take my streets, because ambulances have to get through there, fire trucks have to get through there.
When I went to prep school in New York City, I had to ride the subway and learned how to do homework on the train. I can work and read through anything.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
Normally when I'm sent a script I'll read it through to see how it hangs as a story and then I'll go back and read it through again and look at the character.
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read
I am a Christian resident of New York City. I simply read things the other Manhattanites read (NY Times, New Yorker magazine, Wall Street Journal, and many of the books they read) plus all my Christian reading. I don't do anything special to understand skeptics. I also talk to a lot of skeptics and read things they point to.
I read the 'Kapoor & Sons' script in a half hour, forty five minutes. Not because I skimming through it... I read it like a book. By the end, I was blown away. I picked up the phone and said, 'This script is gold.'
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
The Flight 93 Memorial isn't that easy to get to. It isn't like the memorials in New York City or Washington, D.C., where you may go on a business trip or family vacation. No, in order to get to Shanksville, PA, you fly to Pittsburgh, make your way through the traffic and onto the highway that takes you through the beautiful wooded countryside.
Trying to get somebody to read your script and you're a musician? That's the last person whose script you're gonna read!
I usually wait until I get on the bus, when I'm done with media and I get to sit down and listen to my music and just read through everyone's messages.
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