A Quote by Michael Gracey

There is something about musical narrative and Australians. If you want to do something, you kind of have to do it at a level - because we're so far away from everywhere else - that exceeds what is just normal if you want to convince people that some guy from Australia is worth backing for an original musical.
Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.
I told myself, 'All I want is a normal life'. But was that true? I wasn't so sure. Because there was a part of me that enjoyed hating school, and the drama of not going, the potential consequences whatever they were. I was intrigued by the unknown. I was even slightly thrilled that my mother was such a mess. Had I become addicted to crisis? I traced my finger along the windowsill. 'Want something normal, want something normal, want something normal', I told myself.
I want to do a musical so bad. I don't care what it is. I'm not picky. I just want to do a musical. I'm shameless, but it's true.
I want to make 'Broadway' a word that doesn't have pejorative connotation. I don't want 'musical theater' to be a dismissive term. I want it to be something that people can be proud of, that people can say, 'Look at the possibilities.'
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I want to go to places that are unexpected of me, because people really think they have me pegged. I want to do something different, like maybe do a space movie or a musical.
What I wanted to do was drown something enormous, like a Star Trek or Star Wars kind of space opera-type thing, but actually make it about someone who was just married to the wrong guy, and that guy just happens to be this amazing dictator, and she has to get her kids as far away as possible from this guy. So something that could almost be a TV movie, if you'd ground it and set it in Wisconsin or something like that, but to give it this enormous setting.
I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it.
I have no friends and I never leave my house. You just have to make a choice to just refuse to be involved with things that could get you in trouble. It's easy when you feel upset or depressed about something to want to go to a club and want to drink, but instead I just force myself to sit and feel it and deal with it, and try to grow from it, because I don't want to go down that path. I'm one of the most isolated people in existence right now, but it's worth it because if I wasn't making that decision I would be throwing away my career.
People crave trustworthy information about the world we live in. Some people want it because it is essential to the way they make a living. Some want it because they regard being well-informed as a condition of good citizenship. Some want it because they want something to exchange over dinner tables and water coolers.
We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.
I had no inkling I was going to run into this kind of luck I experienced. It's all happened and it's all turned my life around overnight; opportunities have knocked on my door and I'm just making use of them. I don't want to do anything and everything. I want to be a brand that every time I leverage my name I want people to feel sure that it's going to be something good - so whether it be my movies, my perfume, my restaurant, my musical, it'll be good work, good food and good everything.
It's not selling out, necessarily, to do something to gain some kind of notoriety that gives you the cache to do be able to go and do something else that you want. There's some dues that you just have to pay in life.
I don't ever want to become Bill Maher where I have to find some strong opinion on something just because it's in the news. That's the guy that comes off like you have to be angry every week about new topics and snotty about something. That's what I'm trying to avoid.
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