A Quote by Michael Gracey
There's something really special when you take an audience and instead of just being passive and watching, you invite them to participate.
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As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
Film has become a very passive experience, but with theatre, there is a contract made with the audience, where they participate. That's why my parents' puppet theatre was such a special place - people used their imaginations. It's a muscle that needs using.
There's something really nice about writing something on Wednesday and watching it being performed live for a studio audience on Tuesday. You never really get that with novels.
I have to just keep being aggressive. Once I see openings I just have to take them and not be passive.
My focus are only films. There is something special about films as when it is being played in a dark theatre, the audience is watching only you. Whereas in TV there are a lot distraction.
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
I really enjoy the pastiche storytelling of watching separate stories slowly collide with one another. The audience gets to participate in trying to guess and decipher how one story will connect with another.
It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.
It wasn't just about doing tricks. It's about taking an audience to another place, a special place, so they can really suspend their disbelief. Its about amazing the audience as well as moving them.
I'm actually glad I didn't watch 'The Bachelor' or 'The Bachelorette' prior to being on them. I think if I'd watched them before being a contestant, I would've over-analyzed it or tried to be something else - tried to fit into that world. Because I was so green, I was just me, and I think it was really refreshing to the people watching it.
I always had watched pro wrestling. I happened to be watching the WWE Network one day and started watching differently: I wasn't watching it as a fan, but instead I was watching it as something that I could possibly be a part of.
Music is all about seduction, so it's an ongoing flirtation, but watching anyone do what they are talented at is totally intoxicating. Take even the ugliest guy and have them do something they are really passionate about - they are instantly attractive. Unfortunately watching someone write is a little lackluster. Maybe if they had a really sexy keyboard face.
When you have an audience that embraces you that much, you really want to give them your best. It becomes a really interactive experience instead of just playing a show to random people - there's a connection.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
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