A Quote by Michael Haneke
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. So my approach with the narrator is to question that, to leave that open, to underline the fact that this is uncertain.
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For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then.
It does not bother me that some say I'm dull and boring because the people that do know me will tell you a different story. It is very difficult to be open with people you don't know. There is nothing I can do about the fact that the real me does not get across and it is probably difficult to know the real me.
I grew up basically in a predominantly, you know, white community and I was mixed but as a kid you don't know that. So I was always different, always stood out and people would always make fun of me.
I've always known of ROH and have worked with a lot of the workers there, but they've never reached out to me. It's just never happened. But I'm always open to everything.
It's difficult for my mum because she doesn't know half of the things that happened. She might think the sun shines out of me. That's the case with a lot of parents and their children - they don't really know what goes on when they leave the house.
We all act on what we know, what we see, what we are told and how we feel. The simple fact of the matter is that not a single one of us operates under identical influences. That is why the future is always uncertain.
Of course, it's always difficult to disentangle fact from fiction in relation to, e.g., the singularity project. Many scientists I know are dismissive of transhumanist claims, BUT the last 100 years has surely taught us never to underestimate the pace and scope of scientific progress. However, even if much of this turns out to be science-fiction, it also reveals a way of thinking about human life that I find deeply troubling.
I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
The way that UCB taught us to improvise, you always start from an inspiration from your life, something that's happened to you or a friend. And then you put a comic game onto it. It always starts from a place of reality, of truth.
It is always the case that when something emerges - which, of course, from the perspective of the former West Germany looks very different - then people say, 'She hasn't told us this yet' and 'She hasn't told us that yet.' I don't know - maybe there are other things I didn't talk about because no one ever asked me.
Truth is, I'll never know all there is to know about you just as you will never know all there is to know about me. Humans are by nature too complicated to be understood fully. So, we can choose either to approach our fellow human beings with suspicion or to approach them with an open mind, a dash of optimism and a great deal of candour.
All I know is that playing for Arsenal to me is always going to be an honour. I'm always proud to represent this club and wear the badge.
My parents always told me never be a follower, always be a leader. It's very difficult to do, to step out and be different and not follow the norm. If you want what's best for your team, you gotta be different.
My prescription for writer's block is to face the fact that there is no such thing.... Writing well is difficult, but one can always write something. And then, with a lot of work, make it better. It's a question of having enough will and ambition, not of hoping to evade this mysterious hysteria people are always talking about.
Most argument, and in fact most conflict, has nothing to do with the present. It's always about the past or the future. People can't agree on the details of what has happened or is going to happen. But we rarely know what has happened, and we never know what is going to happen. What is really at dispute is how we will deal with not knowing.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
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