A Quote by Michael Haneke

I don't need a psychiatrist. I can sort out my fears with my work. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
Getting recognized is sort of weird anyway. I'm 17 now. You get the odd person sort of shouting out "Ron!" or something. And my hair at the moment sort of stands out a bit, can't really avoid it.
I need an anchor and I need to sort out one side of my life, so if I can sort my football out, even if it is abroad, then that will help in the long term.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind.
It's not necessary to have read everything about a particular subject in order to get interested in it. The main thing is to sort out what's important and what is peripheral in order to be able to dive in.
There's got to be something you want to tell and that's the engine which spurs all of the work you have to do in order to create the story, but you have to love some sort of nugget of what you're telling to be a filmmaker.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
It is truly a privilege to be able to support all women's causes on a global level. It is remarkable that something as simple as television can empower us to create change and awareness in the world. I am blessed to be able to work at a job I love and also give back in the most vital way-to people in need.
When I became a songwriter, it was out of some sort of desperation. I needed to create something. I had to latch on to something, and the guitar was what I grabbed.
Obviously invidious and prejudicial stereotypes need to be deconstructed and overcome, but it's not that they can be destroyed. I think that would be an illusion to think that we can somehow get rid of these basic search templates that allow us to sort out our social lives and to sort out the material world as well.
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.
I always find out after the fact that the books I've been writing were actually some sort of therapy, some sort of, you know, self-examination that I had to write the book in order to complete.
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