A Quote by Michael Haneke
Usually, when making a film, the surprises are negative surprises. You don't get what you wanted or what you hoped for. The only nice surprises are those that are offered to you by actors when they offer you these gifts, when they are better and give you more than what you had originally conceived. That doesn't happen every day on set, but if it happens a couple of times in the course of making a film, you can consider yourself very lucky.
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there are times when life surprises one, and anything may happen, even what one had hoped for.
The future is always coming up with surprises for us, and the best way to insulate yourself from these surprises is to diversify.
My life is so full of surprises, nothing surprises me any more.
That's how you get surprises, because what movies are all about is surprises.
He'd written me up a proposal of why dating him was a sound decision. It had included things like "I'll give up cigarettes unless I really, really need one" and "I'll unleash romantic surprises every week, such as: an impromptu picnic, roses, or a trip to Paris—but not actually any of those things because now they're not surprises.
Life is full of surprises. We've seen on the NBA court a lot of surprises. You never know what's going to happen if we play smart, if we play hard, if we play together.
There is a great difference between discoveries and inventions. With discoveries, one can always be skeptical, and many surprises can take place. In the case of inventions, surprises can really only occur for people who have not had anything to do with it.
I demand pretty aggressive goal setting and a commitment to measured progress towards those goals because I don't like surprises. I don't even like good surprises.
Chance is the nature of our universe. [...] madness represents a chaotic reservoir of surprises. Some surprises can be valuable.
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
There are always surprises. Life may be inveterately grim and the surprises disproportionately unpleasant, but it would be hardly worth living if there were no exceptions, no sunny days, no acts of random kindness.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
It surprises me every day that this (Eddie Haskell) character is still so popular. I don't completely understand it but it's nice.
Life surprises you. It happens to the best of actors, we have good and bad phases.
I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
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