A Quote by Michael Haneke

It became a gamble to myself whether I was able to do the exact same film ["Funny Games"]under very different circumstances. — © Michael Haneke
It became a gamble to myself whether I was able to do the exact same film ["Funny Games"]under very different circumstances.
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
The funny thing about writing is that whether you're doing well or doing it poorly, it looks the exact same. That's actually one of the main ways that writing is different from ballet dancing.
Measures of policy are necessarily controlled by circumstances; and, consequently, what may be wise and expedient under certain circumstances might be eminently unwise and impolitic under different circumstances. To persist in acting in the same way under circumstances essentially different would be folly and obstinacy, and not consistency.
My belief is whether I'm the starter, whether I'm the backup, I'm going to show up the same exact way. I'm going to prepare the same exact way, and I'll always be ready to go.
Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.
The way you write dialogue is the same whether you're writing for movies or TV or games. We use movie scriptwriting software to write the screenplays for our games, but naturally we have things in the script that you would never have in a movie script -- different branches and optional dialogue, for example. But still, when it comes to storytelling and dialogue, they are very much the same.
I would like to compare football and cinema. I think it's very similar. It's two games... different games. You have to work very hard and find the confidence to enjoy it on the pitch or in the film.
Although I don't gamble in life - I've never played poker - I do gamble on stage. I gamble with myself: 'Can I do this?'
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.
We have to be able to execute early in games, whether it's a block, whether it's a throw, whether it's a catch, we have to be able to make plays.
In my film "Benny's Video," I depicted violence but I failed to say all that I had to say, so I wanted to continue the dialog and that's why I did "Funny Games." The irony is that after I shot "Funny Games," but it hadn't been released at all anywhere.
'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.
I like the hot-cold, the sugar-salt, being able to play over-the-top and dramatic things - in the same film. Just as in my life, I can be very funny and at other times almost extinguished.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
I do like to be creative and I'm very lucky that I've been given different areas in which I'm able to do that - whether it be film or television or theatre or whatever. I'm also still into music and recording.
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