A Quote by Michael Haneke

My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him.
I think she definitely played a great tournament here. I mean, she reached the final as a very young girl. I know she can be very dangerous. I just did what my coach David told me, that I had to really go for every shot, to not really give her the time for her game. Definitely she's a talented player.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.
Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
After the last screening [of "Selling Isobel" ] an 18-year-old girl came up to me and said, "Oh my God, I'm so naïve." I said, "No, you're not, you're just young." And she's so grateful for having seen it, because she's an actress and from now on she's going to take a friend with her to auditions and let her mom know exactly where she's going. That's a job done right there.
Admittedly, there was a lot she still didn't know about him, but she did know this: He completed her in a way that she'd never thought possible. Knowledge isn't everything, she told herself, and she knew then that, in Nana's words, he was the toast to her butter.
My mother was a single working mother; she started having children very young. There was a tension inside her about who she wanted to be and what she wanted to do and how she couldn't achieve the things she wanted to.
My mother was a single working mother; she started having children very young. There was a tension inside her about who she wanted to be and what she wanted to do and how she couldn’t achieve the things she wanted to.
Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
One of the most unfortunate things I see when identifying youth players is the girl who is told over the years how great she is. By the time she's a high school freshman, she starts to believe it. By her senior year, she's fizzled out. Then there's her counterpart: the girl waiting in the wings who quietly and with determination decides she's going to make something of herself. Invariably, this humble, hardworking girl is the one who becomes the real player.
My mother was a very absent mother. She was going out, she was drinking a lot, she liked to have fun. It's fine with me. I have no bitterness about it. When I was 3, she went to America for months. I never had any problems with that. I even liked it.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
I had one young man tell me he wished I was his mom. Another young woman told me that every time she watched 'The Office,' I reminded her of her mother, who had just passed away a year ago, and that every time she saw me she felt as if she had a piece of her mom still with her.
She yearned to see her mother again, and Robb and Bran and Rickon… but it was Jon Snow she thought of most. She wished somehow they could come to the Wall before Winterfell, so Jon might muss up her hair and call her “little sister.” She’d tell him, “I missed you,” and he’d say it too at the very same moment, the way they always used to say things together. She would have liked that. She would have liked that better than anything.
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