A Quote by Michael Haneke

Usually music is used to hide a film's problems. — © Michael Haneke
Usually music is used to hide a film's problems.
I used to be a film and music journalist, and wrote for different magazines in the 1990s. I still love music, but the experience destroyed my enthusiasm for film.
I'm used to music as a tool, taking the various elements and then making something completely new out of them. And writing film music is the perfect opportunity to do that, because you can look at the film and then just let your imagination soar.
I don't try to hide sex in my music. Music is very sexual. I don't hide it.
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
I am not the kind to hide the fact that I have used artificial means to hide or correct my features.
Hide what you have to hide And tell what you have to tell You'll see your problems multiplied If you continually decide To faithfully pursue The policy of truth
I like how you don't hide your problems like everyone else, and I don't have to hide mine when I'm around you.
One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.
I remember being obsessed with 'The Score' by The Fugees. I used to listen to a lot of really melodic music with a lot of harmonies. The Beach Boys used to make me happy, and Simon and Garfunkel, and I used to listen to a lot of film soundtracks as well.
I'd say for a film composer, 'Star Wars' is kind of like the holy grail of film music. It's probably the best film music ever written.
When you're a front man for a band, there's nowhere to hide. It took me a long time to get used to that. But music is my first love. I started singing when I talked.
If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be. But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy. At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.
Painting doesn't have a function, not in the way that music or film does... I mean, you can dance to music. Music can be used for a soundtrack, so it has a function in that sense, beyond itself. But painting doesn't... But I do believe that painting has a purpose.
I think my music being referred to as "cinematic" has a lot to do with people just not being used to listening to instrumental music without watching a film. I'm still pretty convinced of that. You'll play Chopin in place of something average and like, "Wow, that'd be great in a film." People say it every time, swear to God. I don't think people have a good relationship with instruments and music anymore. But it's definitely visual; I started writing with this band because of the pictures. I can't really deny it either, you know?
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
I used to always hide my hand, I still do. I don't really like talking about it. Sometimes I still hide it and not even realize that I'm doing it.
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