A Quote by Michael Josephson
It can be frustrating and even frightening to observe the success which sometimes comes to outlaws and rogues who seem to refute notions of universal justice. Every time we see a villain enjoying the fruits of dishonorable acts we find ourselves doubting the value of character and the validity of the virtues we have been taught. Thus, it takes character to believe in character, but that belief is always rewarded, often by material success, but always by the esteem it earns from those who matter.
Quote Topics
Acts
Always
Been
Belief
Believe
Character
Dishonorable
Doubting
Enjoying
Esteem
Even
Every
Every Time
Find
Frightening
Fruits
Frustrating
Justice
Material
Matter
Notions
Observe
Often
Ourselves
Refute
Rewarded
Rogues
See
Seem
Sometimes
Success
Takes
Taught
Those
Those Who Matter
Thus
Time
Universal
Validity
Value
Villain
Virtues
Which
Quote Author
Related Quotes
It is sometimes frightening to observe the success which comes even to the outlaw with a polished technique, and we find ourselves doubting the validity of the virtues we have been taught. But I believe we must reckon with character in the end, for it is as potent a force in world conflict as it is in our own domestic affairs. It strikes the last blow in any battle.
The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.
I never agree to do a character that molests a woman. I have been very conscious not to do such roles. I believe that even a villain should have character, which people can remember.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
If you never fall in love with your character, you'll never be able to do that character justice. No matter who it is, no matter what the character does, you have to find the reason for it. Everyone's got a reason for what they do, even if it's a reason that they're not proud of.
The character ethic, which I believe to be the foundation of success, teaches that there are basic principles of effective living, and that people can only experience true success and enduring happiness as they learn and integrate these principles into their basic character.
Once you watch any character for nine-and-half hours, be it good, bad or grey, you tend to attach yourself with it. You always feel for the character, even if he is a villain.
I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
We are a people that have always celebrated other people's success so long as we always had the opportunity to meet that success ourselves. That is the American nature. That is the American character. That is one of the things that makes us different from the rest of the world. And I'm afraid we could lose that or are on the verge of losing that.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
There's always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
All success is quite temporary if you don't work hard enough to maintain where you are. Talent can get you somewhere but character keeps you there. You have to build character along the way and know when and know how to take the victories from situations even though they might seem grim.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
Flaws reveal a lot about a character and who people are. The flawed elements of a character are where I find their humanity. Those are the things I tend to identify with - the weaknesses. I don't know why, but I identify with struggle more than with success.
