A Quote by Michael Lehmann
In the past, my aspirations were as arty as they could get, and I'm really embarrassed by it.
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Seeing him like this, dressed just for her in so patent a manner, she could not hold back the fiery blush that rose to her face. She was embarrassed when she greeted him, and he was more embarrassed by her embarrassment. The knowledge that they were behaving as if they were sweethearts was even more embarrassing, and the knowledge that they were both embarrassed embarrassed them so much that Captain Samaritano noticed it with a tremor of compassion.
I suppose I just like being arty. That's all. Arty.
I feel like the inspiration is that I've managed to change my songwriting over the past couple of years and also production styles. I could get a sense of what really worked well, and I think this sound developed naturally. That's what happens when you're doing it all the time and changing as a person. Some songs were really dark, and others were more psychedelic. It was useful to have that to figure out exactly what I wanted to do.
My aspirations were never anything other than I really, really admired certain singers over the years, and I just wanted to do the best I could. And that has been kind of like the way I've been fortunate enough to be able to have a career, have some success, and yet continue to learn my craft.
My intention with The Soup was to hopefully follow in the footsteps of past hosts, like Greg Kinnear. The pedigree of that show was really good and if it could just get me into some of those audition rooms I've always wanted to get into that I could not get into, then I would be very happy.
I was always a bit arty-farty as a boy. 'Come on, Mr. Arty-Farty,' my sister used to say to me.
There was a phase in my career in my late 20s and 30s when I was doing strange, arty-farty Euro films that were, you could tell, never had much chance of any release anywhere in the world.
I never really looked at Formula One like that was the long-term goal. I obviously dreamed, and my aspirations were to get to Formula One, but I really started thinking about it in Formula 3 at 16, 17 years old, and I saw that it was right in front of me.
I went to a very academic school, but I never really quite... I think because not that many people were particular creative or arty, I felt a little bit different.
A lot of people are really hung on the past - they can't get past that - but you've gotta get past that if you want any future.
I once owned a really, really ugly pair of white leather boots. They were so bad. It was back in the '80s! It was just a really tacky fashion choice when I was in middle school, and I thought it was cool. I'm really embarrassed.
I was like, "Oh yeah, that's kind of like me. I'm always living in the past." When I was really young, I thought I was from the 18th century and I was trapped in this life, and I was so miserable and figuring how I could get back. Maybe I was just picking up on ideas of past lives, but I really did believe that I was from another era.
With randomness it is very unlikely to be embarrassed, but even if you get embarrassed, you can't replicate it.
The truth is that I don't like rehearsals. I get embarrassed hearing my own work. I assume that the cast is embarrassed to sing the stuff.
The only thing that shocks me is public interest in people who shouldn't be interesting at all, like Jade Goody. We've gone past Andy Warhol and all those clever, arty and witty things that were done and said in the sixties...the fifteen minutes, and so on. Now your celebrities don't have to do anything, they're just voted in. And that shocks me.
Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.
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