A Quote by Michael Lindsay-Hogg
One of the things I find very little of in America - and certainly not on Broadway - are plays with political attitudes.
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The true meaning of America, you ask? It's in a Texas rodeo, in a policeman's badge, in the sound of laughing children, in a political rally, in a newspaper... In all these things, and many more, you'll find America. In all these things, you'll find freedom. And freedom is what America means to the world. And to me.
I have, over the years brought an enormous number of plays to television starting obviously with Nicholas Nickelby and then things like Angels In America or in Wit with Emma Thompson and Mike Nichols. So, yes, I do find that very interesting and I'm sure that down the road there will be plays that I'll want to do that way.
We have a desperate need for producers in the [commercial Broadway] theatre, and it is very hard for them to get money and find investors for new plays.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
I think certainly everybody is aware of the potential for just the very inflamed political mood in America .
When you're writing these things, you're in a room making each other laugh, you really have very little sense of political correctness or incorrectness. This is a question that Europe tends to ask and America doesn't.
When you think about Broadway, you think broad and big, but the fact is there are so many plays that are very intimate, but fill a 1,500-seat house. Plays like 'Who's Afraid of Virginia Woolf?' have deep moments of silence and intimacy to them.
Frances McDormand is my favorite actor. I don't know if that's relevant. But she's a person who plays people. In other words, not everything has to be an over-the-top Broadway musical to get my attention, but it certainly helps.
Some of the attitudes of Barney are certainly attitudes I share, but not all.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
To be totally honest, I thought I would have a Broadway debut in the distant, distant future, maybe in my 60s or 70s when somebody revived one of my off-Broadway plays with a star.
I always have tendency to form very strong local attachments, so I was very keen to find out about the school I was going to, its history, and the countryside. I was acquiring a kind of English character if you like, Englishness about things and my attitudes.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
I had done plays all my life. Many, many, many plays, off-Broadway plays.
After I graduated, I tried Broadway, which was difficult for me. It was tough to get a part on Broadway, so I just started talking to audiences at different social gatherings, and little by little I became Don Rickles - whatever that is.
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.
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