A Quote by Michael Mann
Video looks like reality, it's more immediate, it has a verite surface to it. Film has this liquid kind of surface, feels like something made up.
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Titan has no liquid water on its surface, and any liquid water beneath its surface is inaccessible to us, as far as we know. It has hydrocarbon lakes, but we don't know of any organisms that could live in those, not at the temperatures that we find on Titan. Any reference to possible life in lakes on the surface of Titan is pure speculation.
To build a character like Henry Warnimont required a few weeks and months of work. It turned out he was basically a very kind and generous man, which he covered up with his surface gruffness and surface bluster. And the kind of hopeless quality, that 'everything goes wrong' kind of thing.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
The usual metric for whether a planet is habitable or not is to ascertain whether liquid water could exist on its surface. Most worlds will either be too cold, too hot or of a type (like Jupiter) that may have no solid surface and be swaddled in noxious gases.
Happiness, I think, lies on the surface... when one plunges under the surface all the buoyant things disappear, and the farther down one gets the more cold and dark it seems: and the more oppressive space feels.
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
Sometimes people are layered like that. There's something totally different underneath than what's on the surface. But sometimes, there's a third, even deeper level, and that one is the same as the top surface one. Like with pie.
I would like to start by emphasizing the importance of surfaces. It is at a surface where many of our most interesting and useful phenomena occur. We live for example on the surface of a planet. It is at a surface where the catalysis of chemical reactions occur. It is essentially at a surface of a plant that sunlight is converted to a sugar. In electronics, most if not all active circuit elements involve non-equilibrium phenomena occurring at surfaces. Much of biology is concerned with reactions at a surface.
I kept waiting for him to lay bare something more than this pointed unobjectionableness, but all that rose to the surface was more surface
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.
The surface of the quieted river, as I think now, is like a window looking into another world that is like this one except that it is quiet. Its quietness makes it seem perfect. The ripples are like the slates of a blind of a shutter through which we see imperfectly what is perfect. Though that other world can be seen only momentarily, it looks everlasting. As the ripples become more agitated, the window darkens and the other world is hidden.the surface of the river is like a living soul, which is easy to disturb, is often disturbed, but, growing calm, shows what it was, is, and will be.
Love, whether it's friendship or more, is like a cup. It fills up drop by drop, until one last drop and the cup is full. The liquid hangs there almost above the rim, hangs there on surface tension alone and you know that one more drop and it will spill over.
As an actor, what's interesting is what's hidden away beneath the surface. You want to be like a duck on a pond - very calm on the surface but paddling away like crazy underneath.
Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.
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