A Quote by Michael McDonald
I played so many clubs growing up, and back in that period, in the '60s, we'd play, like, four, five sets a night.
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When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
Growing up in New Jersey, teen clubs were your life. I'm not kidding! That was it. I was literally tied up five days a week with teen clubs; my parents would drop me off. Like, I didn't even drive.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.
I played for four different clubs in France; I played for Marseille, which is one of the biggest clubs.
I played for four clubs during my career and for me it was like having four wives.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
In terms of comedy, I never did five-minute sets or clubs or anything. I just started doing shows. Coming from that theater background, it never crossed my mind that I should start doing five-minute sets.
I learned everything from my friends and just constant gigging in night clubs, eight sets a night!
I just naturally started to play music. My whole family played-my daddy played, my mother played. My daddy played bass, my cousin played banjo, guitar and mandolin. We played at root beer stands, like the .Drive-ins they have now, making $2.50 a night, and we had a cigar box for the kitty that we passed around, sometimes making fifty or sixty dollars a night. Of course we didn't get none of it, we kids.
When I was a kid, like four or five years old, I was obsessed with the 'Batman' TV show in the '60s. And I took it totally seriously. At that age, I took it completely seriously. I didn't get the fact that it was kind of played for laughs. I didn't understand why my mom was rolling her eyes or chuckling.
Growing up as a kid, the back of my house faced a little community airport about four or five miles from my house.
Yeah, I was a local hero. It was great for me, 'cos I had a full house every night all night seven nights a week for five years that I played. The next five years I just played five days a week, but I still had a full house every night.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
When I was growing up, I would go hang out with older guys at night in blues clubs.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
