A Quote by Michael McDonald
I'm not the kind of artist who can just gear myself to a particular radio format without looking like a fashion victim.
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It just happens in life, where you resonate with a particular artist. Or it can be a kind of food or a fashion - you discover it and it gives you a whole new lease on life.
Looking for approval or blaming others or feeling like a victim. Whenever I feel myself doing that I try to stop and see myself as someone who's a creator in more ways than just what the word typically means.
I think the Internet is an awful lot like FM radio was when it broke out in the late '60s. It's kind of a wild and wily kind of format. They could play 20 songs in a row that had the word 'blue' in them, or whatever they wanted to do.
I think the 'Harpers Bazaar' woman is not a fashion victim; she understands fashion but is not a victim, you know.
I don't consider myself a fashion victim. I consider fashion a victim of me.
I just hope that I can be kind of like the Beatles. I really like that kind of model. I like the way that without losing integrity they could change through fashion and not look back at the '60s and vomit when they saw what they'd done.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
Once I learned how to talk, personally, by myself to any number of people, which means do radio without talking to anyone in particular on the air - I just found that my brain became very free to engage in a sort of stream-of-consciousness style of doing what I do.
I have limited interests. I really like all sorts of gear. Guitar gear. Recording gear. Stuff like that. I like music, you know.
I'm always looking for those knockouts but I'm looking to do it in a better fashion. Not rushing, not blitzing, not putting myself at risk. Not just being too greedy.
The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.
The thing that I like about magazines, paper magazines, and papers in any kind of tangible format is the surprise factor of turning the page and not necessarily knowing what you're going to see. You're not looking for something. You're just experiencing something.
I feel my job as an artist is to drive people to country radio. That's my job as a country artist. So these streaming places, especially these on-demand streaming places, where you can just push a button and hear it as many times as you want, like YouTube, any of that stuff, that's taking all the ears away from country radio.
What I love about podcasting is it's guerilla radio. I don't have to stick to anybody's protocol or format. I can operate my show just like I want to, but at the end of the day, it's just a can of audio whoopa**. My show is built to entertain.
If I'm writing for a particular artist, I definitely think about their past records, pay attention to the type of tempos that they like. If I have the privilege of actually being in the session with the artist, I just like to have a conversation with them.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
