A Quote by Michael Patrick Walker
When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.
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When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
There's a stigma about reality shows and the people who star in them. Reality shows mean your career will end, your marriage will be cursed, you have to fight and/or throw a drink, or you're going to end up broke and a has-been when the series ends.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
If you write great songs with meaning and emotion, they will last for ever because songs are the key to everything. Songs will outlast the artist and they will go on for ever if they are good.
I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.
When you're doing a pilot, you don't know where it will end up, and then you're being put up with the best of the best.
"I dissolve in trust, I will sing with joy, I will end up dust". The line really spoke to me. That's what it is: Enjoy what you have here. You're not going to be here forever, but the songs stay forever. For me, it's like Bowie songs - they carry me, and they continue to, even though he's gone.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
Self-discovery in songwriting, bringing something forth that's instructive to yourself - some of the best songs that you will ever write are the ones where you didn't have to think about any of that stuff, but nonetheless that's what's happening in the song.
I've just really been into melody and lyrics and songwriting. Writing a rap, to me, is easy. I could write a rap like that. But writing songs and melodies and s**t that's hopefully going to stick around for 30, 40 years is f**king hard...If you have good songs and you're talented, people will eventually come to your shows, people will buy your music.
I do notice that my songs fit all over the map, even in terms of the colloquialisms in them. The songs come out with their references intact, almost unheeded by me. It's like they existed somehow before they met me with their relationship to the tradition, and then they just end up coming through me at that moment because of my relationship to some certain kind of music that I've listened to in my life. I know that sounds a little bit woooey.
Some of your best songs come from a desperate attempt to escape, so sitting in an airport for hours I can just start pulling out little fragments of songs from my head. A lot of times a melody will just occur to me and be my companion for a couple of months.
I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.
I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.
