A Quote by Michael Wolf
What could I have possibly learned except the really most important thing, which is that I did not want to work at the 'New York Times'? Beyond that, I learned how a newspaper works.
Related Quotes
Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
I learned how to be a pro, I learned how to win, I learned about building relationships with your teammates; it goes beyond basketball. I pretty much learned everything I know from OKC.
I learned about the strength you can get from a close family life. I learned to keep going, even in bad times. I learned not to despair, even when my world was falling apart. I learned that there are no free lunches. And I learned the value of hard work.
Anything back in New Orleans is definitely nostalgic. I really played my first shows of my life and learned to perform here. I learned how to work a stage and how to connect with a crowd. It all started here.
The most important thing you will do is yet to be seen. For me, I found my important thing to do when I learned to do surgery on the eye, when I learned to restore a person's vision.
The more boring a newspaper is, the more it is respected. The most respected newspaper in the United States is The New York Times, which has thousands of reporters constantly producing enormous front-page stories about bauxite...The [New York] Post would write about bauxite only if famous celebrites were arrested for snorting it in an exclusive Manhattan nightclub.
I learned from the Macarturos. I had never been at a table with a labor organizer and a playwright and a performance artist and an anthropologist and a human rights lawyer. Usually at most gatherings, it's all writers. But suddenly I was at a table with all these different people and I learned from each of them, learned from the work they're doing, learned new ways to solve my problems.
I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so", because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband.
He did not know how long it took, but later he looked back on this time of crying in the corner of the dark cave and thought of it as when he learned the most important rule of survival, which was that feeling sorry for yourself didn't work. It wasn't just that it was wrong to do, or that it was considered incorrect. It was more than that--it didn't work.
I learned how important physical conditioning is. I learned how to focus on an objective in spite of all kinds of hazards. I learned how to deal with stress, too.
I'm not the fastest, not the most athletic, but I learned how to play the right way. I learned how to be a professional. I learned how to win and how to be a team-first guy.
I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.
What was the most important thing I learned from Chomsky? That capitalism compels us to work ourselves to death in order to stuff our houses with things we don't need. Perhaps this is one thing art can do: create a new aesthetic, one of austerity.
Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.
I actually learned about sex watching neighborhood dogs. And it was good. Go ahead and laugh. I think the most important thing I learned was: Never let go of the girl's leg, no matter how hard she tries to shake you off.
