A Quote by Michel Hazanavicius

My life is OK. I live in France. It's a very cool country to make films. — © Michel Hazanavicius
My life is OK. I live in France. It's a very cool country to make films.
I could pull my living in and live OK, but I don't want to live OK. I'm very happy to live in my penthouse, very happy I can pick up a check, very happy to have a great life and be able to spread my wealth a little bit.
So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
The greatest difficulty we have faced is the neocolonial way of thinking that exists in this country. We were colonized by a country, France, that left us with certain habits. For us, being successful in life, being happy, meant trying to live as they do in France, like the richest of the French.
I have American friends in France, and when I meet with them, they tell me about everything that is wrong with France. I think there is a general expat syndrome, which means that whatever country you are in, you are always missing your own country and always thinking that the country you live in is actually not as good as it could be.
When I started my first film, there were three women directors in France. Their films were OK, but I was different. It's like when you start to jump and you put the pole very high - you have to jump very high. I thought, I have to use cinema as a language.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
To make the films I want, I just have to live within my means and scale down my lifestyle - and be with somebody who's cool with that.
I'm opposed to wearing headscarves in public places. That's not France. There's something I just don't understand: the people who come to France, why would they want to change France, to live in France the same way they lived back home?
I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make.
So, thanks God, our films, our first films were suddenly being appreciated by the Western media; especially France was very good, and Switzerland was very good.
France is a country where thinking is supposed to be furtive, invisible, almost clandestine. France is a country of cliques and sects.
The nerds are the ones that make the films and do loads of other really cool stuff in their life.
The stigma with country is it's not cool. That's wrong. Country is very cool. I look at award shows, I look at how country is represented. Country is represented with an asterisk. We have to perform collaborations. We have to perform a tribute. We can't perform by ourselves.
My father was a very powerful influence, well, always, through our life. He taught us very much that... we were very lucky and that we should make a contribution to country, that we were fortunate to live in America.
When you travel from your own country to another country for a long period, you do become aware of the differences. For example, verbal expression is much more important in France - in Finland people don't speak so much. Also, Finnish people say things directly; that kind of direct honesty would be very impolite in France.
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