A Quote by Michel Hazanavicius
I think we are at the very beginning of high changes, not only in terms of digital film, but in the way the movies will be screened, whether they'll be screened on phones, on computers - on everything.
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I think we are at the very beginning of high changes, not only in terms of digital film, but in the way the movies will be screened, whether they'll be screened on phones, on computers - on everything
[ 'American Dream' ] probably will [go] somewhere in Europe. You get 3000 entries [to] Sundance, and how many movies get [screened]? So, I'm a realist. I'm very much realistic in terms of if this movie will be released in the States. Probably not.
I don't revisit anything unless there's a really good occasion, like BAM screened 'This Is My Life', with Lena Dunham and Nora Ephron before she died. It also screened 'Uncle Buck', so I took my niece. I don't have a TV, so I don't happen upon old movies like you would if you had cable.
My son, he has a film group, a bunch of film nerds that sit around and screen movies, and when they had Mary Steenburgen Night, the two movies they screened were 'Melvin And Howard' and 'Clifford.'
My dad made a film called 'Willow' when he was a young filmmaker, which screened at the Cannes film festival, and people were booing afterwards.
A film's success does not depend on box office collection and the number of days it was screened but on the amount of satisfaction an actor can draw from it.
Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.
[The Raindance film festival] is literally the first time we've ever screened the movie ["Selling Isobel"] to anyone, and people are a little bit traumatised by it.
You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.
I'm bullish on writing. Movies, radio, television, and now digital media - everything was supposed to push us away from text, to video or "back" to speech. First, there's no going back. We're always stumbling forward. Second, writing is invincible. Thirty years ago, we thought we'd all be talking to our computers; instead, we're all typing on our phones.
Various studios are still shooting on film with digital grain and the DI negatives, it's not ideal. We should really be all film or all digital. But that being said, the old way of graining in the camera, now you can make changes like a painter. It's dangerous because you can ruin the film, you can over-fiddle. We've all seen films and gone 'what the hell is that?'
My role in Nandita Das' 'Firaaq' as a woman too impotent to intervene when her community resorts to brutality and violence has struck a chord wherever the film has been screened.
It really feels special to know that 'Irudhi Suttru' has been selected to be screened at Tokyo Film Festival. I see this honor as an impetus to continue doing my good work.
I've been very excited to have children for a long time. It definitely added an interesting twist to the night we screened 'Lyle' at Outfest, and I got up to do the Q&A, and I had this huge belly no one was expecting. It creeped everybody out in the best way.
It took Cianfrance 12 years to bring 'Blue Valentine' to the screen after he first conceived it. He found Gosling and Williams early on, and they hung in there with him. The film finally premiered at Sundance 2010, then screened at Cannes and the Toronto Film Festival before landing in theaters in December.
I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.
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