A Quote by Michel Hazanavicius

To work with kids is difficult. To work with non-actors is difficult. — © Michel Hazanavicius
To work with kids is difficult. To work with non-actors is difficult.
Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.
Meeting people is difficult, period. LA is a difficult place to meet people anyway, and Hollywood is such a small community. But I don't make it a rule just to date other actors and people in the entertainment industry. It could work out with me and a dentist. It could work out with me and a lawyer.
Be of good courage all is before you, and time passed in the difficult is never lost...What is required of us is that we live the difficult and learn to deal with it. In the difficult are the friendly forces, the hands that work on us.
You see actors who make family work, but it's difficult for any woman.
The work-life balance is a harsh reality for so many women, who are forced every day to make impossible choices. Do they take their kids to the doctor...and risk getting fired? Do they work weekends so they can afford to send their kids to better childcare...even though it means even less time with their families? Do they take another shift at work, so they can pay for piano lessons for their kids...even though it means they have to stop volunteering for the PTA? It just shouldn't be this difficult to raise healthy families.
I know how difficult it is for actors to get work, because I did casting for all those years.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
To step into acting was not that difficult a transition to make. What was difficult was the work and the practice that went into becoming good at it, because I hadn't had any training.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
Difficult times are the greatest opportunities in disguise. When we face difficult times we have to put in determined work to get ourselves into joy. Difficult times are your greatest opportunity to practice yourself into joy!
As a director and an actor, it is very difficult to say "this person was better than another person." I judge by chemistry of the actors but it is difficult being a judge. I will never bash any of the actors.
We must reject the easy impulses of bitterness and rancor and embrace the difficult work, but the important work, the vital work of finding a path forward together.
I'm very happy to work with Prema and work in F2 because I have the feeling in some ways, it's a bit more difficult to drive and to work with the tyres than F1.
Turning the blog into a book was extremely difficult, a tremendous amount of sustained, hard work. Blogging is easy; writing a book is difficult.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
A lot of people think I'm difficult to work with. It's not like I really want to do that much stuff, so it doesn't really matter. I guess I'm somewhat difficult when it comes to comedy.
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