A Quote by Michelangelo Antonioni
Nothing regarding man is ever inhuman. That's why I make films, not iceboxes.
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If Hollywood can make films on insects and make big money, why can't we make films on Punjabi culture?
Regarding the responsibility that a director has to society, first of all, there are ratings. There's freedom to make films, and freedom to watch them or not. It's not like I take those films to a school and force kids to watch them.
I don't think I make genre films. I think studios try to sell films as genres because they know how to do that. There's nothing wrong with that. I don't know what I make. It's sort of a pot roast, all my films.
Remember, the thoughts that you think and the statements you make regarding yourself determine your mental attitude. If you have a worthwhile objective, find the one reason why you can achieve it rather than hundreds of reasons why you can't.
When people around me were signing films, I would wonder why nothing good came my way. See, I wasn't desperate to do films, but I was desperate to do good films.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. To-day I am proud to say that I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. I have nothing to do with the creaking machinery of humanity - I belong to the earth!
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
Few things are needed to make a wise man happy; nothing can make a fool content; that is why most men are miserable.
The belief that value judgments are not subject, in the last analysis, to rational control, encourages the inclination to make irresponsible assertions regarding right and wrong or good and bad. One evades discussion of serious issues by the simple device of passing them off as value problems, whereas, to say the least, many of these conflicts arose out of man's very agreement regarding values.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
The Oscar for the films, it'd be nice. But I don't make those kind of films, and I don't think that will ever happen.
Now, more then ever, we have the ability to make films for almost nothing and that's broken down all barriers of entry. I think it's a new golden age of film-making. With that, there needs to be the ability to recoup investment dollars, people need to make money.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
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