A Quote by Michelangelo Antonioni

I never think in terms of alienation; it's the others who do. Alienation means one thing to Hegel, another to Marx and yet another to Freud; so it is not possible to give a single definition, one that will exhaust the subject. It is a question bordering on philosophy, and I'm not a philosopher nor a sociologist. My business is to tell stories, to narrate with images - nothing else. If I do make films about alienation - to use that word that is so ambiguous - they are about characters, not about me.
Remember, I'm the guy who didn't want the referendum - I wouldn't have had it if I'd been prime minister. But you have to respect how people voted because this was partly about political alienation, so if the response to political alienation is to ignore it, that's a recipe for more political alienation.
I never understood alienation. Alienation from what? You have to want to be part of something in order to feel alienated from it.
When you stop to think about it, so many films today where we don't have that kind of contact are films about alienation. About alienated feelings. We are much more alienated from our colleagues nowadays.
The apostle Paul never seemed to exhaust the topic of grace - what makes us think we can? He just kept coming at it and coming at it from another angle. That's the thing about grace. It's like springtime. You can't put it in a single sentence definition, and you can't exhaust it.
Thus in Christianity the alienation had become total, and it was this total alienation that was the biggest obstacle to the progress of self-consciousness.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Anytime you're telling a story about monsterhood, you're playing around with ideas about otherness and alienation.
Songs don't have to be about going out on Saturday night and having a good rink-up and driving home and crashing cars. A lot of what I've done is about alienation... about where you fit in society.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
We are born into a world where alienation awaits us. We are potentially men, but are in an alienated state, and this state is not simply a natural system. Alienation as our present destiny is achieved only by outrageous violence perpetrated by human beings on human beings.
For me, heaven would be a lack of alienation. The whole time I was growing up, I felt comfort was inherently evil. I think that for me heaven isn't about couches and milk shakes and never having a troubling thought again.
For me, heaven would be a lack of alienation. The whole time I was growing up, I felt comfort was inherently evil. I think that, for me, heaven isn't about couches and milk shakes and never having a troubling thought again.
I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.
I certainly feel sad about the alienation from my son.
I always think that 'Sound of My Voice' is a movie about the crumbs in 'Hansel and Gretel.' You know, those crumbs. It's about finding your way out of the claustrophobia and alienation of modern life.
There is no religion in which everyday life is not considered a prison; there is no philosophy or ideology that does not think that we live in alienation.
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