A Quote by Michelangelo Antonioni

When I see a good film, it's like a whiplash. I run away, in order not to be influenced. Thus, the films I liked most are those I think least about. — © Michelangelo Antonioni
When I see a good film, it's like a whiplash. I run away, in order not to be influenced. Thus, the films I liked most are those I think least about.
I've liked most of the films that I've been in and those are the kinds of films I like to see.
When you think of things like The Sopranos, The Wire, Damages, they are beating film on a regular basis. Most films are terrible. It's only the 2% that are good. There's things you can do on TV which you can't do on film. There is something about those episodic, serialisations that are grand and operatic.
Well, you'll find the most boring part of it is the waiting, at least if it's in films anyway. Television's a lot faster, but the product... I don't think it's as good as a film.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.
Their films would probably be better if they'd seen a few more films, which runs counter to this idiotic theory that you run the risk of being influenced if you see too much.
A film star is a film star, and you can't take that away. Hence, I don't think about money when I do films, but I will do it for TV like the way I do it for endorsements.
Of all my films, people wrote to me most about this one... ...I had wanted to make The Idiot long before Rashomon. Since I was little I've liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film. He is still my favourite author, and he is the one - I still think - who writes most honestly about human existence.
A lot of movies were influenced by 'Logan's Run,' like 'Minority Report'. A lot of films have those elements in them.
I never made films like kind of career moves, like making this film in order to make that film in order to end up in Hollywood.
The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
I think all writers of my age who are brought up on films probably by the age of 16 have seen many more films than they have read classics of literature. We can't help but be influenced by film. Film has got some great tricks that it's taught writers.
Personally, I've always liked movies about big diamonds, like 'Pink Panther' and 'The Thomas Crown Affair.' I've always found those films really interesting, and they have a good energy about them, which I like.
I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.
If you treat an animal right, they don't run away. They're not like us. They run away from people they don't trust; most times we run away from ourselves.
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