A Quote by Michelangelo Antonioni

Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed. — © Michelangelo Antonioni
Actors are always a little high at work. Acting is their drug. So when you put the brakes on, they're naturally a little disappointed.
Holiness is the sum of a million little things — the avoidance of little evils and little foibles, the setting aside of little bits of worldliness and little acts of compromise, the putting to death of little inconsistencies and little indiscretions, the attention to little duties and little dealings, the hard work of little self-denials and little self-restraints, the cultivation of little benevolences and little forbearances.
I consider myself a writer. I always wanted to act, and as a teen, I studied acting devotedly. Eventually, I got writing work, but very little acting work.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
People who have accomplished work worthwhile have had a very high sense of the way to do things. They have not been content with mediocrity. They have not confined themselves to the beaten tracks; they have never been satisfied to do things just as others so them, but always a little better. They always pushed things that came to their hands a little higher up, this little farther on, that counts in the quality of life's work. It is constant effort to be first-class in everything one attempts that conquers the heights of excellence.
I like things that reach a little further and are a little more abstract, but I don't think that's what I do naturally well. How I write naturally is probably what's furthest from me, and the most removed from what I understand.
When I'm feeling a little low, I put on my favorite high heels to stand a little taller.
I enjoy the acting, but I didn't plan on that. It fell into my lap, and I'm having a lot of fun with it, but I'm definitely moving towards directing because I'm naturally a writer, and I think a good director edits, writes, and has acted a little bit. He's done a little bit of everything, and that's what I'm trying to do.
I always worked pretty steadily. But maybe out of some kind of fear, I put the brakes on letting myself be as successful as I'd like to be. More and more, I've taken the brakes off and let whatever happens happen.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
I always like when you start to use something with a little less reverence. You start to use it a little carelessly, and with a little less thought, because then, I think, you're using it very naturally.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
I was always so many different things, all at once: a little hood, a little punk, a little grunge, a little glam, a little gay. I have a whole bunch of flavours.
If I had a horse buck with me now, I’m a little disappointed. It’s not the end of the world, but I’m a little disappointed if I couldn’t keep the horse out of trouble, whereas it used to be a source of pride, and now it’s sort of source of shame if I let the horse get lost.
We are but little children weak Nor born in any high estate. . . . . There's not a child so small and weak But has his little cross to take, His little work of love and praise That he may do for Jesus' sake.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
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