A Quote by Michelangelo Antonioni
The moment always comes when, having collected one's ideas, certain images, an intuition of a certain kind of development- whether psychological or material- one must pass on to the actual realization.
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For it is not cell nuclei, not even individual chromosomes, but certain parts of certain chromosomes from certain cells that must be isolated and collected in enormous quantities for analysis; that would be the precondition for placing the chemist in such a position as would allow him to analyse [the hereditary material] more minutely than [can] the morphologists ... For the morphology of the nucleus has reference at the very least to the gearing of the clock, but at best the chemistry of the nucleus refers only to the metal from which the gears are formed.
The success factor is a combination of intuition and honestly, it's mostly only intuition. A design business is inherently dependent upon the intuition of its chief designer. Luckily I have a track record that if you show me five pairs of shoes I will almost always pick the one pair that will sell the best. It's just a gift I have for mass taste - a link with what people want in a certain moment in time.
There are certain images attached to an Indian woman - a mother, daughter, homemaker... there are certain parts of it that I really like, and I love having that identity also, but I feel women shouldn't be limited to that.
But those dealing in the actual manufacture of mind are dealing in a very explosive material. The material is not merely the clay of which man is master, but the truths or semblances of truth which have a certain mastery over man. The material is explosive because it must be taken seriously. The men writing books really are throwing bombs.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.
A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
If you're treated a certain way you become a certain kind of person. If certain things are described to you as being real they're real for you whether they're real or not.
The importance of the egg's non-nuclear material - the cytoplasm - in early development is apparent in the consistent relation that is seen to exist between certain regions in the cytoplasm of a fertilized egg and certain kinds or directions of cell differentiation.
Falling in love and having a relationship are two different things but yeah I can imagine that you can kind of - I think it depends on one's psychological state. I think there are some people who are on the internet and can fall in love and seem to be in a certain psychological state and other people who are - who couldn't quite do that.
Before my encounter with Thomist philosophy through Maritain, I had almost reached the same conclusions through the logical development of my work, intuition and thought, but what a great sense of joy I felt upon discovering, in Maritain, the confirmation of certain thought patterns, certain ways of clarifying these to myself and to others.
I have kind of an intuitive feeling as a composer as to what would be appropriate for those groups and how to feature certain paths in a certain way, whether there was dialogue in a scene, or whether there was no dialogue and music was telling the story at that point.
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.
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