A Quote by Michelangelo Antonioni
When you work on a character, you form in your mind an image of what he ought to look like. Then you go and find one who resembles him.
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I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
I always get sort of an image of what the character is gonna look like and then I kind of go with it.
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.
I really tried to work out hard to emulate the look and feel of the character, and did my best to represent the great artists that created him. At the same time, as an actor you have to find what you relate to in the character and make it your own, and hopefully people respond to it.
Losing builds character. So, if you're the loser in your family, don't worry. 'Cos twenty years form now, that perfect can do no wrong brother of yours is going to show up at your house, bald, fat, divorced, with six kids who all hate him and he's going to ask you for money. And because of your character, you're going to look him right in the eyes and you're going to say, You know what, I'll give you some money. If you mow my lawn and detail my car. Oh yeah, then you can shampoo the tail. Loser.
You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
When you look in your mind you find it covered with a lot of rubbishy thoughts. You have to penetrate these and hear what your mind is telling you to do. Such work is original work.
You're a person a lot longer before and after you're a professional athlete. People always say to me, 'Your image is this, your image is that.' Your image isn't your character. Character is what you are as a person. That's what I worry about.
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going.
... Nothing resembles reality less than the photograph. Nothing resembles substance less than its shadow. To convey the meaning of something substantial you have to use not a shadow but a sign, not the limitation but the image. The image is a new and different reality, and of course it does not convey an impression of some object, but the mind of the subject; and that is something else again.
The color of the prisoner's skin, and the form of his features, are not impressed upon the spiritual immortal mind which works beneath. In spite of human pride, he is still your brother, and mine, in form and color accepted and approved by his Father, and yours, and mine, and bears equally with us the proudest inheritance of our race - the image of our Maker. Hold him then to be a Man.
If men do not comprehend the character of God, they do not comprehend themselves..." If the veil were rent today, and the great God who holds the world in its orbit, and who upholds all worlds and all things by His power, was to make Himself visible, - I say, if you were to see Him today, you would see Him like a man in form - like yourself in all the person, image, and very form as a man.
The natural mind is ever prone to reason, when we ought to believe; to be at work, when we ought to be quiet; to go our own way, when we ought steadily to walk on in God's ways, however trying to nature.
Productiveness is your acceptance of morality, your recognition of the fact that you choose to live-that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values-that all work is creative work if done by a thinking mind.
So I sat down with him and portrayed more the side of the character he needed to see. Which is what I do when I go in for an interview for a part I like. As much as you think you're dealing with creative people, they see you for what your image is out there.
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